#137 - Dave Nudo - Songwriter/Musician

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There's a mic show.
It's very entertaining.

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It's very entertaining, brother.
Welcome Youtubers and Twitchers.

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Sweetheart.
Now supposed to be welcome up.

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Please, please man, welcome by
the duty.

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I'm going to find the answer
here.

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I'm gonna make it go quite
clear.

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Hey boys and girls, welcome to
the Chris and Mike show.

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I'm Chris.
He's Mike, and this is Dave.

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The legendary Dave Nudo is
joining us today live on Twitch

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and YouTube.
So make sure you tune in now to

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catch this fantastic little
episode.

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We got an hour to kill because
he's got a commitment prior

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after this, after this little
show goes.

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Excited to have you here, Dave.
I actually bought your album and

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thanks.
And then I bought your single.

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I, I bought your single The Lord
or the Devil Man, because I like

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the title of the song, right?
And it didn't let me down, man.

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Nice fucking good song, brother
love.

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Exactly.
Sound I I really like your sound

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a lot.
That's right up my style as far

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as what I like to play lead
around, just that kind of vibe

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as far as the rhythm goes.
And I like that Southern rock

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slash country slash rocks, you
know, just right, taking every

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style and throwing it in in a
melting pot.

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That's that's kind of where I
feel you're going in that

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direction.
That's where I was aiming,

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absolutely.
I dig it man, Thanks and for me,

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thanks for coming on.
Nice to meet.

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You, yeah.
Nice to meet you guys too, both

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of you.
Yeah, I let Mike know last night

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you were coming on, so he wasn't
going to be completely, you

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know, caught off guard.
They were having that right,

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having a a charting musician on.
So that's cool, man.

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So what's on?
What's on Dave's docket?

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Give the give our listeners a
little, I don't know, 3060

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second sound bite of who you
are, what you're doing, where

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you're going, what's your where
your shows out all the kind of

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jazz how they can find you.
And then we'll just, you know,

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you dive right in, man.
Right on.

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Well, so I just kind of signed a
contract with a company called

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Bella Cheetah and they a
management company and he's got

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a fleet of tour buses and, and
all of the contacts in the

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world.
So he can put me on pretty major

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tours.
And we're looking forward to

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that.
We're kind of trying to get some

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new music out and re re record
some of the old stuff because

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it's tied up with with some
other publishing stuff and and

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we want to kind of be free of
all that.

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And so there will be an album
coming out again here real like

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in the next year sometime.
But right now we're just kind of

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releasing a few singles and as
soon as all that's in place,

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he's going to be putting us on
radio and and sending us out to

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all over the states.
And we're looking forward to it

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and.
We're and we're talking about,

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we're talking about, we're
talking about Bruce, right?

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Yeah, Bruce Gambino with Bella
Cheetah.

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Yeah.
Hi, Bruce.

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Hi, Bruce.
Thanks for thanks for sending

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us, Dave, man.
Absolutely.

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Where you guys based out of
Dave?

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Boise, ID right now the company,
I think they're Bella Cheetahs

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based out of Oklahoma.
So we're going to, we're going

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to go, yeah, sometime 2026,
there's a big festival we're

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going to be able to go play
there.

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And up until then we're going to
be shooting around for like the

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Hard Rock Cafe stages of that
kind of stuff, you know, bigger

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concert houses and, and
hopefully moving into arenas at

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some point.
So we're looking forward to

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getting on big tours with.
I mean, going to the Hard Rock

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in Indiana, hit me up.
Yeah.

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Cool.
Right on.

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We have a delay going on.
Ever so slightly.

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No big deal.
So if you hit, if you end up

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hitting if OK, So if you end up
going to the round Pontiac, IL

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area or somewhere in that, make
sure you hit up Mike.

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I'll give him your number.
OK, If you hit, if you end up

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coming to Arizona, make sure you
hit me up.

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Cool.
He and I are I'm Arizona, he's

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Illinois.
But obviously anybody that come,

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any musician we have on, we're
like, if you come to town, hit

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us up because you know, right.
It's yeah, yeah.

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We'll come see you.
For sure.

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I mean, this is my, this is my.
We have a band or a musician on

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shirts.
See, I got vinyl because nice.

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You got to go old school, right?
Excellent.

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I'm wearing Ned Ladue.
Man, Oh, there you go.

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There you go.
That's awesome.

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Yeah, he's cool.
He's a cool dude.

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So how long, how long you been
been making music man?

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Oh, let's see, 2526 years,
something like that.

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You know, I'm as far as like
from when I was learning how to

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play guitar and, and learning
how to write songs and all that

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kind of stuff and joining a
band.

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And that was like right around
the Millennium, the Millennium

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change.
So yeah, gosh, I guess that.

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'D be changed everything, man.
2025 years.

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Holy holy hell. 25 years, yeah.
Son of a bitch I'm getting old,

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man.
Yeah, we feel your pain,

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brother.
We.

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Feel your pain.
Yeah, that was cool.

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It was pretty cool getting into
that first band and being being

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able to go out and play like the
Millennium New Year's Eve show,

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that was pretty awesome.
Everybody was still a little

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afraid of Y2K, you know?
And the computer's crashing, and

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at midnight the show was going
to shut down because

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everything's going to fall off
the face of the planet, right?

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But we just kept on rocking, you
know, there.

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You go now.
Is it just you doing solo stuff?

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Because I noticed on YouTube
it's Dave Noodle than Dave

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Noodle Band.
Right.

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Yeah, well, you.
Got 2 separate things.

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Dave Nudo Band is what it
started out with and when when I

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made my first record called
County Line and we didn't have.

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That's the one I just bought.
Yeah, And thank you.

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By the way, we didn't have a
name.

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You're welcome.
Thank you.

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We didn't have a name.
Is.

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That the wife is that the wife
is that the wife.

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Get the wife in the picture.
Man.

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OK, I'll get her in the picture
when she comes back.

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Yeah.
Come on, man.

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So, you know, so.
So yeah, it we didn't have a

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name when we went and recorded
that album for the band.

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It was just me and my songs and
a couple of friends that that

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were helping me put the tracks
down.

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And and the producer was like,
well, what's the name of the

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band?
Because he wanted to save the

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first song that we recorded.
And I'm like, I don't have a

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name for the band.
And, and Herb, the guitar

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players like Dave Noodle band.
I'm like, OK, that'll work that

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way, you know, because I write
all these songs all these years

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and join other bands with these
songs and I feel like I got to

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leave them on the on the shelf
as soon as that band breaks up.

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And, well, if I don't name it
some band name and, and take

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complete charge of, of where the
direction goes, the band doesn't

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break up unless I just quit, you
know, and I can keep moving

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forward with all of the momentum
that I build over the years.

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So I thought that was a pretty,
pretty good move going from a

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band band name kind of a thing
to just, you know, my name.

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Yeah.
So that's how that went about

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anyway.
So we've been moving more

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towards just cutting off band
and calling it Dave Nudo, you

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know, cuz it's not Luke Combs
band, it's not Chris Stapleton

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band.
It's the artist and the

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songwriter.
And then they got their their

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guys to back them up and, and
sometimes you know who they are

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and sometimes you don't.
We've always been kind of pretty

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good about making sure everybody
knows who's in the band.

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But once again, if, if the
guitar player quits or the

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drummer changes or whatever,
that no, nothing gets disrupted,

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disrupted this way.
So and I like it.

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So you're the primary songwriter
in the band?

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Yeah, yeah, yeah.
I've, I've Co write with a few

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people, but I haven't really Co
written with anybody in the

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band.
That might change in the future.

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We're we're working on some,
some ideas and stuff like that.

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And, but, and there's always
been a collaboration as far as

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how the show goes.
But so to answer your original

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question, yeah, I do a lot of
solo shows.

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It's, it's a great way to get my
face and my brand out there

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without having to try to afford
all the guys and, and pay

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everybody and, and that kind of
stuff.

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And I can pay my bills pretty
good that way, doing solo shows

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in smaller venues and, and, and
some bigger venues.

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I'll open for guys coming into
town sometimes at the like the

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Knitting Factory or whatever.
In fact, I opened up for Ned

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Ledoux there.
Thank you.

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These guys wanted to say hi to
you.

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They won't be able to hear.
You won't be able to hear them,

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but you can wave.
This is my lovely bride.

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Her name is Celeste.
That's Chris and Mike.

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Nice and last.
Nice and last.

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That was quick, man.
She moved in and out.

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Short and sweet.
Well, she didn't have

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headphones.
Woo.

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My wife, my wife just comes in
the house and then goes away.

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It's like.
We get them out same amount of

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time every.
Every now and then she'll come

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pop, pop her head up right here
and that's about it.

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It's like.
Alright, thanks.

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In and out.
Right on.

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Yeah, exactly.
That's what she said.

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You're welcome.
Yeah, No.

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Well, go ahead, Mike.
I got a musician here.

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Fire away, man.
Fire away.

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Well, that's the reason I wanted
to know why you or not, why I

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wanted to know if you were the
primary songwriter, because

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Chris and I would come at it
from a completely different

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perspective.
For 30 years, on and off, he's

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been my lyricist and I've been
his musician, so.

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Oh cool.
You know, we, we count on each

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other because he doesn't play an
instrument and I don't write

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lyrics.
Oh, right.

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A lot of people would find it
fascinating that I don't have a

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lot to say, but I've never been
able to.

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I've never been able to put it
into format.

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So what would you describe your
process as far as sitting down

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and writing a song?
Do you have a process or does it

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change for each individual song?
Do you write the music first

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sometimes, the lyric first
sometimes or?

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Yeah, about it.
Yeah, that.

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I mean, it does.
It varies with the song.

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A lot of times this is the way
it goes.

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I'll be sitting there with this
idea in my hell here of praise,

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right?
And, and there will be a melody

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with it.
And if there ain't one, I'll

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have one in moments and then
just kind of go from there.

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Sometimes I start with a a
really great chorus idea.

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I've got this whole piece that I
would consider a chorus of a

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song.
And then now I got.

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Now I got to figure out how not
to mess that thing up with a

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bunch of too wordy averses and
that.

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Kind of stuff.
So I say the same thing.

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How do we not practice?
That's exactly right.

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Yeah.
So and and then the other way it

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a lot of times I'll just sit
down with some idea come to my

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mind and I write it down and
then or use my phone anymore,

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but but get that line down and
then just, well, what's the next

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line?
And it starts at the beginning

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and I write it till the end of
the song and and then I've got a

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melody in my mind, probably with
everything on there.

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And then I got to figure out,
you know, what chords on the

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guitar to play with it so I can
sing it and accompany myself and

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give the guys a demo and that
sort of thing.

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Other times I'm just, I got this
cool little thing I'm strumming

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00:11:50,280 --> 00:11:54,480
along and you know, a line pops
into my head while I'm doing

227
00:11:54,480 --> 00:11:56,680
that and, and so I move forward
that way.

228
00:11:56,760 --> 00:12:00,280
It, it really does vary.
But mostly, I'd say just coming

229
00:12:00,280 --> 00:12:04,320
up with words that I wanted to
elaborate on, you know?

230
00:12:05,160 --> 00:12:08,960
I guess that was my question
without I didn't form formulate

231
00:12:08,960 --> 00:12:11,560
the question very good.
Would you consider yourself a

232
00:12:11,560 --> 00:12:13,840
lyricist first or a musician
first?

233
00:12:14,560 --> 00:12:17,640
Probably a lyricist, I'd say.
I mean.

234
00:12:19,520 --> 00:12:24,680
I think he would tell you, I
think he would tell you that we

235
00:12:24,680 --> 00:12:27,440
have the similar approach in
that he brings me a melody

236
00:12:27,440 --> 00:12:30,320
sometimes and there's other
times I will be playing

237
00:12:30,320 --> 00:12:33,760
something that inspires him to
either think of something he

238
00:12:33,760 --> 00:12:35,680
wrote before or write something
new.

239
00:12:35,680 --> 00:12:40,120
So I guess I was hearing that
you consider yourself a lyricist

240
00:12:40,120 --> 00:12:41,200
first.
That was my.

241
00:12:41,200 --> 00:12:44,160
I would question, I would say
first, I'm a lyricist, but I'm

242
00:12:44,160 --> 00:12:48,720
also a musician and I've, I've,
you know, sat in my little dinky

243
00:12:48,720 --> 00:12:53,200
studio and and created all, you
know, the whole song, of course,

244
00:12:53,200 --> 00:12:57,560
have to use a drum machine.
I am not a drummer.

245
00:12:57,560 --> 00:13:01,240
I can't, I can do this.
But if I have my feet into it,

246
00:13:01,240 --> 00:13:02,240
it's gone.
Me either.

247
00:13:04,200 --> 00:13:07,160
I'm gonna hold a beat for about
20 seconds before it all goes

248
00:13:07,160 --> 00:13:09,800
sideways.
I suppose if.

249
00:13:09,800 --> 00:13:11,320
I We all have that in common, I
think.

250
00:13:11,560 --> 00:13:12,840
Right.
Good.

251
00:13:13,120 --> 00:13:16,400
I'm in good company.
See, MM and I have yeah, Mike

252
00:13:16,400 --> 00:13:20,200
and I have unique, the unique, I
don't know if it's ability, but

253
00:13:20,200 --> 00:13:22,760
but I can write.
I can write a set of lyrics like

254
00:13:22,760 --> 00:13:24,920
I wrote one of the last songs
and I use my phone too.

255
00:13:24,920 --> 00:13:27,520
Now that's the beautiful thing
about Notes on on an Apple

256
00:13:27,520 --> 00:13:29,240
phone.
Tell your phone price.

257
00:13:29,320 --> 00:13:32,040
You can or you can just send it
right exactly.

258
00:13:32,040 --> 00:13:36,800
So then so I can send him a song
of just the lyrics and he can he

259
00:13:36,800 --> 00:13:39,400
can tell right away what I was
thinking from an emotional

260
00:13:39,400 --> 00:13:42,880
standpoint, if it needs to be
hard driven, angry, or if it's,

261
00:13:42,880 --> 00:13:45,080
you know, if it's, I don't
really write, you know, happy.

262
00:13:45,080 --> 00:13:47,320
Hey, hey, hey, I write about
life and shit.

263
00:13:47,320 --> 00:13:50,760
So you know, there are there are
there are happy things in life.

264
00:13:50,760 --> 00:13:53,880
But that's the cool thing about
our relationship is I can just

265
00:13:53,880 --> 00:13:56,160
give him a song and then and
I'll come back the next day

266
00:13:56,160 --> 00:13:59,320
after, you know, one practice
here, check this out and come

267
00:13:59,320 --> 00:14:01,280
back the next day.
And he's so check it out, check

268
00:14:01,280 --> 00:14:03,040
out this riff.
And I'm like, holy shit, that

269
00:14:03,040 --> 00:14:05,120
matches it perfectly.
So it's that kind of a cool

270
00:14:05,120 --> 00:14:09,760
thing that's like both our left
brains just merge into one.

271
00:14:10,200 --> 00:14:13,280
And it just works not to.
Interrupt you.

272
00:14:13,280 --> 00:14:16,840
But the crazy thing about that,
Dave, is I never considered that

273
00:14:16,840 --> 00:14:18,880
a gift until he put it into
words.

274
00:14:19,400 --> 00:14:23,000
It's like how many people can
just look at a sheet of paper

275
00:14:23,000 --> 00:14:26,280
and then say, OK, this is what I
think he's feeling musically,

276
00:14:26,280 --> 00:14:28,040
right?
This is the message he wants to

277
00:14:28,040 --> 00:14:30,520
convey.
I guess it is a pretty

278
00:14:30,520 --> 00:14:33,520
fascinating gift because he
could have been thinking, hey, I

279
00:14:33,520 --> 00:14:37,640
wanted that to be like a
melodic, beautiful, romantic.

280
00:14:37,640 --> 00:14:39,680
What?
However, you want to describe it

281
00:14:39,680 --> 00:14:44,320
in words and you turned it into
hellscape, right?

282
00:14:46,400 --> 00:14:49,000
Yeah, you're absolutely right.
That's a hell of a gift, really.

283
00:14:49,000 --> 00:14:53,560
I mean, and just being able to
read words and and figure out

284
00:14:53,560 --> 00:14:56,320
what kind of a mood that's, I
mean, sometimes you can get it

285
00:14:56,320 --> 00:14:58,360
because of the way that the
words are formed.

286
00:14:58,360 --> 00:14:59,960
I mean, you're talking about sad
shit.

287
00:14:59,960 --> 00:15:03,480
It's a sad song.
So but being able to convey that

288
00:15:03,480 --> 00:15:06,200
musically is really where the
gift is in my opinion.

289
00:15:06,200 --> 00:15:07,720
And I'm not even sure I've got
that gift.

290
00:15:07,720 --> 00:15:10,840
Sometimes I get it right.
But but, but you know, guys like

291
00:15:10,840 --> 00:15:14,840
you, that's a really impressive,
impressive deal.

292
00:15:16,080 --> 00:15:19,920
The song I heard from you, you
definitely know how to convey

293
00:15:19,920 --> 00:15:22,680
emotion because I was feeling
everything you were trying to

294
00:15:22,680 --> 00:15:25,560
get across, just even on that
little speaker through a

295
00:15:25,560 --> 00:15:27,080
microphone, through my.
Headphones I get.

296
00:15:27,760 --> 00:15:30,200
It man, and that's that's a
gift.

297
00:15:30,200 --> 00:15:33,160
So if you want to know if you're
being successful in that

298
00:15:33,160 --> 00:15:35,360
department, I would say
resoundingly, yes.

299
00:15:35,680 --> 00:15:37,200
Oh well, thank you very much,
Wilson.

300
00:15:38,360 --> 00:15:41,560
Some of those tracks were were
done by other people, so I may

301
00:15:41,560 --> 00:15:44,840
not have had my hands in in
making the real mood of the

302
00:15:44,880 --> 00:15:47,440
music come alive with the
lyrics, you know what I mean?

303
00:15:47,440 --> 00:15:48,800
But.
But you, right.

304
00:15:48,800 --> 00:15:52,480
But you, you still wrote this
song, which is right here.

305
00:15:53,360 --> 00:15:55,320
And you still, you know, you
still perform it.

306
00:15:56,240 --> 00:15:59,720
Oh yeah.
Go man, fucking hey brother.

307
00:16:02,000 --> 00:16:04,000
The Lord or the.
I'm telling you dude, this is

308
00:16:04,000 --> 00:16:06,360
the first.
This is the first one.

309
00:16:06,360 --> 00:16:08,600
This is the first one I
downloaded from you man.

310
00:16:08,960 --> 00:16:11,960
I dig it.
Everybody's looking for

311
00:16:11,960 --> 00:16:16,440
something good for something
bad, even though they shoot a

312
00:16:16,440 --> 00:16:19,040
little bit of heaven right here
on earth, a little hell.

313
00:16:19,200 --> 00:16:26,320
If that's what works, you can
look in your Sunday hymns.

314
00:16:26,320 --> 00:16:31,760
I ride it on the back of the
road or call my old.

315
00:16:31,880 --> 00:16:33,560
Hell yeah.
Yeah, right.

316
00:16:33,600 --> 00:16:35,320
Lyrically dude, that's a bad ass
man.

317
00:16:37,080 --> 00:16:41,760
Thank you.
Yeah, That whole song idea came

318
00:16:41,760 --> 00:16:45,600
to me at like 3:00 in the
morning one night when I was up

319
00:16:45,600 --> 00:16:47,080
still.
Probably should have been in

320
00:16:47,080 --> 00:16:50,000
bed.
That was a great.

321
00:16:50,480 --> 00:16:54,240
The idea behind that song was
like who you're like, what

322
00:16:54,400 --> 00:16:56,640
everybody's got, they're
following something, you know,

323
00:16:56,640 --> 00:16:59,720
you're either reading a magazine
or following little memes on

324
00:16:59,720 --> 00:17:02,080
Facebook, learning how to live
your life based off of what

325
00:17:02,080 --> 00:17:05,359
other people kind of push your
direction off TV commercials and

326
00:17:05,359 --> 00:17:07,000
that shit.
Everybody needs some kind of

327
00:17:07,000 --> 00:17:10,480
pill to make them skinnier, to
make them, you know, eat some

328
00:17:10,480 --> 00:17:15,480
kind of whatever to, to bulk up,
you know, and, or mental health

329
00:17:15,480 --> 00:17:19,280
and all that stuff.
So everybody needs some pill to

330
00:17:19,280 --> 00:17:22,040
swallow, right, and some path to
follow.

331
00:17:22,040 --> 00:17:24,960
And so I, I just thought it was
kind of a, it's more of a

332
00:17:24,960 --> 00:17:28,600
concept song than anything.
But yeah, that that kind of made

333
00:17:28,600 --> 00:17:30,920
a lot of sense.
So I tried to not mess up that

334
00:17:30,920 --> 00:17:35,560
chorus with any crappy verses.
Now it's like, dude, I've

335
00:17:35,560 --> 00:17:37,960
listened, I probably listened to
it 5 or 6 times before Mike came

336
00:17:37,960 --> 00:17:40,200
on and it was, it was in the
middle of it when Mike came on.

337
00:17:40,200 --> 00:17:42,760
Because that's the thing with
me, like I'm because I'm a

338
00:17:42,800 --> 00:17:44,680
vocalist and a lyricist first
and foremost.

339
00:17:44,680 --> 00:17:47,280
The first thing I attach myself
to, I look at the song name,

340
00:17:47,800 --> 00:17:49,640
right?
So I was looking at, I was

341
00:17:49,640 --> 00:17:51,360
looking at all your singles.
I'm like, I wonder which one is

342
00:17:51,360 --> 00:17:54,440
going to kind of catch me
because our conversation

343
00:17:54,440 --> 00:17:56,800
yesterday was like, OK, I'm
excited to, you know, to pull up

344
00:17:56,800 --> 00:18:00,040
some music from him.
And just the name of the song is

345
00:18:00,040 --> 00:18:03,160
what drew me to it.
It went on me to right so.

346
00:18:03,480 --> 00:18:04,800
That one right away, too.
Yeah.

347
00:18:04,800 --> 00:18:06,960
So then when I listen, I was
happy when I listened to it

348
00:18:06,960 --> 00:18:08,600
because you just, you never
know.

349
00:18:08,600 --> 00:18:12,080
I mean, there's, there's and you
can probably, I mean, Mike and I

350
00:18:12,080 --> 00:18:13,360
can agree.
We, we're all musicians.

351
00:18:13,360 --> 00:18:15,480
So we agree to this.
You can put 12 songs out, right?

352
00:18:15,480 --> 00:18:17,760
And and and you all think
they're badass, but in the in

353
00:18:17,760 --> 00:18:20,120
the in the real world, you're
going to have maybe four or five

354
00:18:20,120 --> 00:18:22,480
that stand out if you're lucky,
Right, Right.

355
00:18:22,480 --> 00:18:25,040
Because you have to breakthrough
all the barriers with the

356
00:18:25,040 --> 00:18:28,240
people, which is why so many
artists now are just singles

357
00:18:28,240 --> 00:18:30,320
after singles after singles,
because you just, you're trying

358
00:18:30,320 --> 00:18:33,000
to get that niche and then, you
know, yeah, you know, get your

359
00:18:33,000 --> 00:18:36,320
million views to make your
$10,000 Woo, you know.

360
00:18:36,320 --> 00:18:41,120
But it's, it's I so my, my first
thing how you open my door and

361
00:18:41,120 --> 00:18:44,080
my brain is, is the song title
and then the lyrics.

362
00:18:44,080 --> 00:18:47,360
So as soon as, like I said, I
saw the song title, I listen to

363
00:18:47,360 --> 00:18:48,800
it and I was like, fuck, that's
good, man.

364
00:18:48,800 --> 00:18:50,280
So I listen to it again and
again and again.

365
00:18:50,760 --> 00:18:52,360
And it's just, it's cool.
It's got a catch.

366
00:18:52,360 --> 00:18:55,520
It's got a hook.
It, it's, it's, it's, it's not

367
00:18:55,520 --> 00:18:59,480
super heavy, but it's not super
country twangy, you know?

368
00:18:59,600 --> 00:19:01,520
So it's, I dug it, man.
It's kind of like we talked

369
00:19:01,520 --> 00:19:02,800
about yesterday.
It's kind of the middle of the

370
00:19:02,800 --> 00:19:04,840
road.
You can kind of, I could hear

371
00:19:04,840 --> 00:19:06,240
that.
I could hear that play it on a

372
00:19:06,240 --> 00:19:10,800
multiple of of different
stations because of of how you

373
00:19:10,800 --> 00:19:13,160
created it and produced it.
It's not just stuck in a box.

374
00:19:13,160 --> 00:19:16,480
How perfectly would that song
fit in a movie?

375
00:19:16,840 --> 00:19:18,000
Yeah.
Oh, I think.

376
00:19:18,000 --> 00:19:21,240
So, you know, just a scene where
a guy's, like, blazing down a

377
00:19:21,400 --> 00:19:26,360
desert highway or something,
running away from whatever he's

378
00:19:26,360 --> 00:19:27,880
running.
I mean, I can see it in my head.

379
00:19:27,880 --> 00:19:30,640
And here's what I'm listening to
when I hear something for the

380
00:19:30,640 --> 00:19:32,160
first time.
Chris is listening to the

381
00:19:32,160 --> 00:19:36,160
lyrics, the phrasing, your
melody I'm listening to.

382
00:19:36,160 --> 00:19:41,160
Did you choose the right tempo?
How does the chord structure fit

383
00:19:41,160 --> 00:19:44,200
with the message you're trying
to get across that opening?

384
00:19:44,200 --> 00:19:47,520
Dave is out.
I get, I'm I, I got goosebumps

385
00:19:47,520 --> 00:19:49,240
thinking about the way that song
started.

386
00:19:50,280 --> 00:19:54,440
You couldn't have picked a more
perfect opening to start to

387
00:19:54,440 --> 00:19:56,320
convey that message, in my
opinion.

388
00:19:56,720 --> 00:19:58,400
Those are the things I'm
listening for.

389
00:19:58,400 --> 00:20:01,320
Where did you record that at?
They deserve some kudos too.

390
00:20:01,320 --> 00:20:04,640
Yeah, those sounds amazing.
So, so I I was hooked up with

391
00:20:04,640 --> 00:20:08,000
the producer.
His name was Chaz Childers.

392
00:20:08,000 --> 00:20:13,760
He's since passed, but but
Eminent music Group and and it

393
00:20:13,760 --> 00:20:17,040
was an independent label and and
he had access to, you know,

394
00:20:17,120 --> 00:20:21,000
Nashville's and it was a
requirement to use if you're

395
00:20:21,000 --> 00:20:22,520
going to put music out through
them.

396
00:20:23,080 --> 00:20:26,520
The session players from, you
know, union session players.

397
00:20:27,000 --> 00:20:30,280
So and I'm not sure about the
politics behind that, but what I

398
00:20:30,280 --> 00:20:34,560
do know is you come back and
they've got excellent tracks and

399
00:20:34,560 --> 00:20:36,960
they're really good about doing
the things that we were just

400
00:20:36,960 --> 00:20:41,760
talking about.
And so anything that says Dave

401
00:20:41,760 --> 00:20:46,440
Nudo as the artist was done that
way.

402
00:20:46,440 --> 00:20:52,160
Anything that was done as Debuto
Band was with me and my friends

403
00:20:52,480 --> 00:20:56,280
that I know locally.
So, but but anyway, yeah, so

404
00:20:56,280 --> 00:20:58,600
those guys, they have got it
down on lock.

405
00:20:58,600 --> 00:21:01,600
You can walk into a room.
I walked into a room with a guy

406
00:21:01,600 --> 00:21:07,000
named John Connelly, Bobby
Terry, Mike Real Haas, and Dave

407
00:21:07,000 --> 00:21:12,520
Francis and Kenny Royster at the
helm, the producer, and I'm

408
00:21:12,720 --> 00:21:15,640
drawing a blank on the drummer's
name, but I showed them my

409
00:21:15,640 --> 00:21:18,440
little demo with my little
acoustic guitar and some

410
00:21:18,440 --> 00:21:21,960
three-part harmony multitracked,
you know, all done by me.

411
00:21:21,960 --> 00:21:24,320
And it's this boring little
version of the song.

412
00:21:24,800 --> 00:21:30,280
And in 5 minutes we're done
listening to my version done

413
00:21:30,280 --> 00:21:34,920
talking about the direction of
the song and we're in isolation

414
00:21:34,920 --> 00:21:38,200
booths.
And in 10 minutes after that,

415
00:21:39,440 --> 00:21:42,160
the meat and potatoes of the
song is done with the, the

416
00:21:42,160 --> 00:21:46,640
intro, you know, all that we
have left is some like extra

417
00:21:46,640 --> 00:21:50,520
keyboard parts or extra guitar
lick, you know, solos and that

418
00:21:50,520 --> 00:21:52,160
kind of stuff.
And then I would go back and do

419
00:21:52,160 --> 00:21:55,080
the vocals.
But in 10 minutes, those guys

420
00:21:55,080 --> 00:21:58,560
had the meat and potatoes done.
And in one hour this song is

421
00:21:58,560 --> 00:22:00,840
complete.
All that's left is me to do my

422
00:22:00,840 --> 00:22:06,000
vocals on it And, and for, for
the guy to, you know, produce

423
00:22:06,000 --> 00:22:08,240
the song and mix it and master
it and all that stuff.

424
00:22:09,200 --> 00:22:11,720
It's incredible.
It was, it was like, why haven't

425
00:22:11,720 --> 00:22:14,960
we been doing it like this all
the time instead of spending all

426
00:22:14,960 --> 00:22:18,880
day working on one guitar track,
you know, incredible.

427
00:22:19,840 --> 00:22:22,000
Well, you recorded in Nashville
as well, Chris.

428
00:22:22,000 --> 00:22:23,640
Did you have the same kind of
experience?

429
00:22:24,040 --> 00:22:27,640
We we didn't have when we do our
Nashville recording, we didn't

430
00:22:27,640 --> 00:22:29,240
have studio musicians.
We had our own stuff.

431
00:22:29,240 --> 00:22:31,400
Well, I'm just talking like the
studio experience.

432
00:22:31,400 --> 00:22:33,280
The studio is, yeah,
professionalism.

433
00:22:33,880 --> 00:22:38,320
The first one we did, we're at
Dolly Parton Studio Gravity, and

434
00:22:38,320 --> 00:22:41,520
that was cool because the
there's a hallway between the

435
00:22:41,520 --> 00:22:45,560
sound booth and then where the
band plays records live and then

436
00:22:45,560 --> 00:22:47,720
the vocal booth.
So as you're walking down that

437
00:22:47,720 --> 00:22:51,160
hallway, the wall is filled both
sides with artists who've been

438
00:22:51,160 --> 00:22:52,640
there and signed it and dated
it.

439
00:22:52,640 --> 00:22:56,280
So obviously did that Dolly
Parton was in the building.

440
00:22:56,280 --> 00:22:58,120
We heard her.
We didn't actually go see her or

441
00:22:58,120 --> 00:22:59,600
anything, but that was kind of
cool.

442
00:22:59,600 --> 00:23:03,160
The second one we were and the,
the cool story about that is, is

443
00:23:03,160 --> 00:23:06,640
Tony Migliori was the producer
and he plays piano on Bye Bye,

444
00:23:06,640 --> 00:23:10,480
Miss American Pie.
But we went in the band set up

445
00:23:10,480 --> 00:23:13,880
everything they started.
He said, oh, we're going to

446
00:23:13,880 --> 00:23:15,720
record just kind of get some
levels of stuff.

447
00:23:15,720 --> 00:23:17,920
Well, 12 hours later, we we laid
out 12.

448
00:23:17,920 --> 00:23:22,600
We laid out four songs.
And by the beginning of the

449
00:23:22,600 --> 00:23:25,040
fourth song, we only had a break
for lunch.

450
00:23:25,040 --> 00:23:26,480
It was like an hour.
So the beginning of the fourth

451
00:23:26,480 --> 00:23:28,080
song, he's like, all right, once
you wrap this up, we're done

452
00:23:28,080 --> 00:23:30,520
with these four songs and we're
all kind of like, what?

453
00:23:30,520 --> 00:23:32,120
And he's like, I've been
recording this whole thing.

454
00:23:32,120 --> 00:23:34,280
So he recorded those four songs
completely live.

455
00:23:34,800 --> 00:23:39,960
So I, I sang legitimately, you
know, 12 hours for the most part

456
00:23:39,960 --> 00:23:42,160
that day, which was just
insanity.

457
00:23:43,200 --> 00:23:45,600
And I was in vocal shape to do
it, but I didn't, I, we didn't

458
00:23:45,600 --> 00:23:46,800
go in.
That was a cool thing about him.

459
00:23:46,800 --> 00:23:50,680
We wouldn't go in thinking we're
going to bust out four songs

460
00:23:50,680 --> 00:23:53,880
today.
It, it really was just kind of a

461
00:23:53,880 --> 00:23:55,760
weird little dynamic because
we've never been in, in

462
00:23:55,760 --> 00:23:57,400
Nashville, never been in that
kind of studio.

463
00:23:57,440 --> 00:24:02,120
This was the last band I was in
and so it was unique in that

464
00:24:02,120 --> 00:24:04,280
fact effect.
And the second one we're at was

465
00:24:04,680 --> 00:24:10,360
in Brentwood, Brentwood,
Brentwood, TN with it was, I

466
00:24:10,360 --> 00:24:13,800
want to say George Strait and
Alan Jackson's studio or, or

467
00:24:14,800 --> 00:24:17,560
something to that effect.
I forget.

468
00:24:17,560 --> 00:24:20,720
The Chelsea, Chelsea Music group
was in in Brentwood, TN.

469
00:24:20,720 --> 00:24:24,320
So that was kind of cool.
We had really good interaction

470
00:24:24,320 --> 00:24:27,960
with with the the engineers,
sound engineers and stuff.

471
00:24:27,960 --> 00:24:31,120
They were skipping.
Oh shit, Stacey, I think her

472
00:24:31,120 --> 00:24:34,440
name was super nice, super nice
couple.

473
00:24:34,440 --> 00:24:37,120
They had me write a couple
different lyrics and they

474
00:24:37,120 --> 00:24:42,000
recorded them trying to sell
them out, you know, to other

475
00:24:42,000 --> 00:24:44,160
people and other bands stuff,
you know, that never came of it,

476
00:24:44,160 --> 00:24:45,400
but it's still cool to have the
opportunity.

477
00:24:45,400 --> 00:24:48,880
So it is kind of cool to kind of
walk into this really, you know,

478
00:24:48,880 --> 00:24:51,000
intrinsic.
I know that's, that's not the

479
00:24:51,040 --> 00:24:53,520
right word, but this really, I
don't know, the vibe is there

480
00:24:53,520 --> 00:24:56,240
and it's and everybody that,
especially Dolly studio, right,

481
00:24:56,240 --> 00:24:58,840
Everybody that walk through that
studio and everybody that

482
00:24:58,840 --> 00:25:01,360
recorded there and you can just
kind of feel that aura and it's

483
00:25:01,360 --> 00:25:04,160
just, you know, it's not, it's,
you know what I mean?

484
00:25:04,160 --> 00:25:06,920
It's kind of dark lit, but it's,
it's light enough, but it's dark

485
00:25:06,920 --> 00:25:10,040
enough and it has an atmosphere.
And I'm at the end of the I'm at

486
00:25:10,040 --> 00:25:13,280
the end in my vocal booth and
the band's there and then Tony's

487
00:25:13,280 --> 00:25:16,280
all the way down to the hallway.
But it was it's, it's just

488
00:25:16,280 --> 00:25:17,480
blended.
It was kind of cool.

489
00:25:17,480 --> 00:25:19,560
It's like even though you were
separated by glass, you were

490
00:25:19,560 --> 00:25:22,920
still, you still have the energy
and vibe that you needed, you

491
00:25:22,920 --> 00:25:25,320
know, to feed off each other to
create tracks and stuff.

492
00:25:25,320 --> 00:25:28,360
And even though, and there's a
funny story, we have a song

493
00:25:28,360 --> 00:25:31,360
called the empty man that they
kept fucking up this part.

494
00:25:31,760 --> 00:25:34,560
I hold that a high note for for
a period of time.

495
00:25:35,200 --> 00:25:37,280
And every time they went to that
transition, they would they

496
00:25:37,360 --> 00:25:39,320
somebody would fuck it up the
guitar fucking up, they

497
00:25:39,320 --> 00:25:42,000
whatever.
And so I, I burned the

498
00:25:42,000 --> 00:25:43,960
microphone at the beginning of
the next take.

499
00:25:43,960 --> 00:25:45,880
I'm like, stop fucking around
and get it right, man.

500
00:25:47,000 --> 00:25:50,720
That made it that made it
through the entire editing

501
00:25:50,720 --> 00:25:55,880
process, like the whole way.
So we're doing a radio, we're

502
00:25:55,880 --> 00:25:58,560
doing a radio interview and the
guys we're talking and the guys

503
00:25:58,560 --> 00:26:00,000
like, OK, what, what do you have
for us today?

504
00:26:00,000 --> 00:26:01,560
Well, we're going to have we're
going to play empty man.

505
00:26:01,560 --> 00:26:04,240
This is what it's about.
And they hit the button, man,

506
00:26:04,240 --> 00:26:06,280
and there's a little bit of
silence and you all, you hear

507
00:26:06,280 --> 00:26:08,800
dead silence in the studio.
Stop fucking around and get it

508
00:26:08,800 --> 00:26:12,200
right, man.
And I laugh and everybody, all

509
00:26:12,200 --> 00:26:13,800
the all the radio person are
like.

510
00:26:14,280 --> 00:26:15,960
Watch.
But they by the time they

511
00:26:15,960 --> 00:26:18,640
watered it, the music started so
they couldn't stop it.

512
00:26:19,200 --> 00:26:23,000
So yeah, so and I totally forgot
that was there and I forgot to

513
00:26:23,000 --> 00:26:25,840
say, hey, buffer the 1st 10
seconds because I dropped the F

514
00:26:25,840 --> 00:26:28,200
bomb, you know?
Well, something you just said,

515
00:26:28,200 --> 00:26:30,680
Chris, I've built 2 recording
studios.

516
00:26:30,680 --> 00:26:33,880
Dave and I butted heads with one
of the guys that I was working

517
00:26:33,880 --> 00:26:37,440
with because he was very
analytical, right?

518
00:26:37,440 --> 00:26:39,920
He understood that you had to
have the right gear, the right

519
00:26:39,920 --> 00:26:41,320
cabling, blah, blah, blah,
right?

520
00:26:41,320 --> 00:26:47,280
Everything hardware wise and
software wise had to be just so.

521
00:26:47,280 --> 00:26:50,800
But he didn't understand that
you had to create a vibe, right?

522
00:26:51,360 --> 00:26:53,400
You can't.
You can't ask a bunch of

523
00:26:53,400 --> 00:26:56,480
musicians to come in an office
complex with fluorescent

524
00:26:56,480 --> 00:27:00,160
lighting and feel inspired, no.
How important is it when you go

525
00:27:00,160 --> 00:27:03,480
in a studio to feel comfortable
and create?

526
00:27:03,680 --> 00:27:05,520
What does it take for you to
feel creative?

527
00:27:06,960 --> 00:27:08,400
Certainly not fluorescent
lighting.

528
00:27:08,520 --> 00:27:09,960
I can tell you that right now.
Thank you.

529
00:27:11,600 --> 00:27:14,840
Yeah, I like.
And ice, kind of a dim sort of,

530
00:27:15,000 --> 00:27:19,480
you know, I don't know that warm
lighting.

531
00:27:20,000 --> 00:27:21,480
Yeah, yeah.
Yeah.

532
00:27:22,520 --> 00:27:24,920
Yeah, Moody, it's got and see,
Chelsea didn't have that.

533
00:27:24,920 --> 00:27:26,480
Chelsea was straight up like
Mike just said.

534
00:27:26,480 --> 00:27:28,320
Chelsea was like in an office
complex.

535
00:27:28,760 --> 00:27:31,320
You go into the you go into
round to the back and you go in

536
00:27:31,320 --> 00:27:33,280
and it's legit.
It was just an office complex

537
00:27:33,280 --> 00:27:35,360
built out like a studio, the
recording studio.

538
00:27:35,880 --> 00:27:38,480
So it it didn't have the same
vibe as as Gravity, which would

539
00:27:38,560 --> 00:27:41,040
again, this doggy parking spot
totally didn't have the same

540
00:27:41,040 --> 00:27:42,960
vibe as that.
I surely don't want concrete

541
00:27:42,960 --> 00:27:45,680
floors.
No concrete floors, No.

542
00:27:45,680 --> 00:27:47,720
I wanna see some throw rugs all
over.

543
00:27:47,720 --> 00:27:52,280
Maybe tapestries on the wall.
Dim lighting, nothing bright.

544
00:27:52,720 --> 00:27:55,440
Yeah.
Yep, yeah, You know, especially

545
00:27:55,480 --> 00:27:58,120
if you spent the night before
drinking, right?

546
00:28:01,360 --> 00:28:03,520
Yeah, absolutely.
Yeah.

547
00:28:03,520 --> 00:28:04,840
A vibe.
It's got to be there.

548
00:28:05,080 --> 00:28:06,360
Yeah, it's got to have a vibe,
man.

549
00:28:07,360 --> 00:28:10,040
That just caught my ear when you
said that about the first studio

550
00:28:10,040 --> 00:28:12,160
you were in, that it had a good
vibe to it.

551
00:28:12,160 --> 00:28:14,640
Dave said the same thing about
the studio he was in.

552
00:28:14,720 --> 00:28:19,520
You know, the the feel was right
and now you can hear what that

553
00:28:19,520 --> 00:28:23,520
does in the song that we heard
from you in that you were able

554
00:28:23,520 --> 00:28:27,440
to not only get your emotion and
your message across, the sound

555
00:28:27,440 --> 00:28:30,200
is just outstanding.
That's why I wanted to give

556
00:28:30,200 --> 00:28:34,600
kudos to the studio because oh
man, they can also wreck an

557
00:28:34,600 --> 00:28:36,400
excellent song.
You wrote a great song.

558
00:28:36,400 --> 00:28:40,360
They could have ruined it by
making it sound thin or sure,

559
00:28:40,840 --> 00:28:42,760
whatever.
You know, just the sound could

560
00:28:42,760 --> 00:28:45,800
have ruined the brilliance of
the song.

561
00:28:45,800 --> 00:28:47,720
Yeah, it has a very fat sound
for sure.

562
00:28:47,720 --> 00:28:50,360
You you fill the space like
there's you're not wanting for

563
00:28:50,360 --> 00:28:52,720
anything in that track at all.
And I had, and I haven't

564
00:28:52,720 --> 00:28:53,760
listened to the rescue stuff
yet.

565
00:28:53,760 --> 00:28:55,280
I will.
But that's the first one that I

566
00:28:55,280 --> 00:28:57,040
did and it just kind of it
caught me.

567
00:28:57,640 --> 00:29:00,360
Yeah, so right.
But I have I have I have your

568
00:29:00,360 --> 00:29:01,440
county line 1.
I just haven't.

569
00:29:01,440 --> 00:29:03,960
I haven't unboxed that yet, if
you will you.

570
00:29:04,000 --> 00:29:06,160
Know, but cool.
I'm gonna Dave, and I'll report

571
00:29:06,160 --> 00:29:08,400
back then.
All right, yeah.

572
00:29:08,400 --> 00:29:13,120
County line was recorded around
in a town called Emmett ID.

573
00:29:13,120 --> 00:29:19,640
So, OK, it's the production's
not the same, you know, but I

574
00:29:19,640 --> 00:29:21,760
thought it was pretty good for
what we had at the time.

575
00:29:22,200 --> 00:29:25,120
And I was, I was proud of it at
the time.

576
00:29:25,120 --> 00:29:27,880
I didn't look at it.
And I mean, some of those songs

577
00:29:27,880 --> 00:29:32,120
are songs that I probably will
never play live, but but some of

578
00:29:32,120 --> 00:29:36,400
them are.
And and yeah, I I always kind of

579
00:29:36,400 --> 00:29:39,480
felt weird about going to
Nashville and playing with these

580
00:29:39,480 --> 00:29:41,920
session players.
Yeah.

581
00:29:42,120 --> 00:29:46,240
But the guys that recorded on on
say the song called So far So

582
00:29:46,240 --> 00:29:49,120
good Live in it, which I'm
pretty proud of that song.

583
00:29:49,120 --> 00:29:52,240
Live in it and lean into me does
all right for me too.

584
00:29:52,240 --> 00:29:56,360
I like that one, those 3 songs.
The guys that recorded on there

585
00:29:56,480 --> 00:30:00,560
have recorded on Luke Combs
albums and a bunch of other top

586
00:30:00,560 --> 00:30:03,960
names, you know?
And the mean guitar player was

587
00:30:03,960 --> 00:30:07,680
the the touring guitar player
for Kenny Chesney at the time,

588
00:30:07,680 --> 00:30:09,520
at least I'm not sure what he's
doing these days.

589
00:30:09,520 --> 00:30:12,560
But so they, yeah, they go off
tour and come in and do all that

590
00:30:12,560 --> 00:30:15,280
work right there like that.
I kind of felt a little cheesy

591
00:30:15,280 --> 00:30:19,320
about that, not bringing my own
band, but I had an opportunity

592
00:30:19,320 --> 00:30:20,880
to open up for a guy named Colt
Ford.

593
00:30:20,880 --> 00:30:23,160
I'm not sure if you know who he
is, but he's.

594
00:30:23,160 --> 00:30:24,400
Oh yeah, I know.
Colt Ford.

595
00:30:24,400 --> 00:30:25,480
Yeah.
Oh yeah, absolutely.

596
00:30:25,680 --> 00:30:27,120
So he was a.
Little Chad neck man.

597
00:30:27,120 --> 00:30:31,080
Oh.
Yeah, so I was talking, I was

598
00:30:31,080 --> 00:30:34,240
talking with his touring
guitarist and, and telling him

599
00:30:34,240 --> 00:30:36,440
what I had just gone and done in
Nashville.

600
00:30:36,440 --> 00:30:39,840
And he says, oh, yeah, man.
I asked, did you?

601
00:30:40,360 --> 00:30:42,280
Are you a session player?
He goes, Yeah, he goes.

602
00:30:42,600 --> 00:30:46,240
I even played on one of Colt
Ford's songs and I'm like, so

603
00:30:46,280 --> 00:30:49,560
you don't go into the studio
with your band it none of them

604
00:30:49,560 --> 00:30:52,320
do.
And yeah, a lot better about

605
00:30:52,320 --> 00:30:55,520
that at that point.
So yeah, they're all mix and

606
00:30:55,520 --> 00:30:58,520
match, and whoever gets on what
album depends on who's available

607
00:30:58,520 --> 00:31:01,760
that day, I guess.
I used to kind of feel weird

608
00:31:01,760 --> 00:31:04,680
about that too.
Like I never wanted anybody to

609
00:31:04,680 --> 00:31:08,520
have any kind of outside
influence on what I was doing

610
00:31:09,200 --> 00:31:10,640
unless they were in the band,
right?

611
00:31:10,640 --> 00:31:14,960
You know, I respect Chris.
I respected Scott, Rick, those

612
00:31:14,960 --> 00:31:18,640
are the only opinions I wanted.
Yeah, that's so stupid.

613
00:31:19,440 --> 00:31:24,320
Because at the end of the day,
what we need to do is get

614
00:31:24,320 --> 00:31:28,720
Chris's message across to the
audience right in a.

615
00:31:29,080 --> 00:31:31,080
Format.
Other otherwise, he's reading

616
00:31:31,080 --> 00:31:32,840
poetry.
He want, he wants.

617
00:31:32,840 --> 00:31:34,080
A song?
Yep.

618
00:31:34,240 --> 00:31:39,000
So the idea is to get Dave and
Chris's lyrics idea across in a

619
00:31:39,000 --> 00:31:40,880
musical format.
It doesn't matter how that

620
00:31:40,880 --> 00:31:42,440
happens.
Absolutely.

621
00:31:43,440 --> 00:31:44,760
Because we're all still
involved.

622
00:31:45,080 --> 00:31:47,520
There's two of the Colt Ford
albums on my playlist.

623
00:31:48,000 --> 00:31:48,760
Cool.
Right on.

624
00:31:49,720 --> 00:31:52,520
Yeah, yeah, he's.
Yeah.

625
00:31:53,120 --> 00:31:54,800
He's chicken and chicken and
biscuits, man.

626
00:31:56,240 --> 00:31:58,000
Yeah.
I mean, you could go at it from

627
00:31:58,000 --> 00:32:01,160
a purist perspective.
I did when I was young guy.

628
00:32:01,480 --> 00:32:05,480
I I'm not, I want creative
control over everything.

629
00:32:05,600 --> 00:32:07,680
We're going to sing the words we
want to sing.

630
00:32:07,680 --> 00:32:10,360
We're going to play them the
guitars the way we want to play

631
00:32:10,360 --> 00:32:12,120
them.
And it's like, well, there's a

632
00:32:12,120 --> 00:32:16,840
reason that those guys are like
top 200 and higher on the

633
00:32:17,160 --> 00:32:20,200
country Billboard charts, right?
It's not because they're

634
00:32:20,200 --> 00:32:22,560
purists.
It's because they no, there's a

635
00:32:22,560 --> 00:32:25,600
way to do things and they know
how to do it and they do a damn

636
00:32:25,600 --> 00:32:29,120
fine job at it.
So Yep, here we are.

637
00:32:29,120 --> 00:32:32,400
Understand who their audience is
and what they wanna hear.

638
00:32:32,400 --> 00:32:34,680
That's what you absolutely.
Yeah, absolutely.

639
00:32:34,680 --> 00:32:37,800
And for those of you, for those
of you watching and gonna

640
00:32:38,080 --> 00:32:43,960
eventually listen,
daveunoband.com is is his page.

641
00:32:43,960 --> 00:32:46,880
I have it up here.
Has all kinds of stuff home used

642
00:32:46,880 --> 00:32:49,120
to contact us about.
There's actually, there's Dave

643
00:32:49,120 --> 00:32:51,120
and the boys.
You know, that's that's a great

644
00:32:51,120 --> 00:32:52,120
picture.
That's fucking Dave.

645
00:32:52,240 --> 00:32:55,040
It's a cool picture.
It is a great picture.

646
00:32:55,120 --> 00:32:59,600
Photo Look up Tim Schmidt Photo.
Shout out to Tim Schmidt, OK?

647
00:32:59,680 --> 00:33:03,560
Tim Schmidt, SCHMIDTI.
DT.

648
00:33:03,600 --> 00:33:06,760
He's one of my best friends from
high school, but we're still in.

649
00:33:06,760 --> 00:33:09,440
That's a close contact too.
Yeah, that guy does.

650
00:33:09,440 --> 00:33:12,240
So yeah, he, he created that.
I'm just sitting there pointing

651
00:33:12,240 --> 00:33:14,680
at a camera that the whole I
don't look like that.

652
00:33:14,680 --> 00:33:17,000
Just, you know, that's all I'm
doing.

653
00:33:17,400 --> 00:33:19,000
And he makes it.
You do right live.

654
00:33:19,480 --> 00:33:21,760
Yeah, yeah.
And you're, so you got a show.

655
00:33:21,760 --> 00:33:25,000
You got a show coming up
Saturday, September 27th in

656
00:33:25,040 --> 00:33:27,440
Astoria, OR Yep, Yep.
And that's.

657
00:33:27,640 --> 00:33:29,640
My my old stomping grounds over
there too.

658
00:33:30,280 --> 00:33:31,760
OK, cool.
Kind of where I grew up.

659
00:33:31,760 --> 00:33:33,640
Dinner and concert with Dave
Nice.

660
00:33:33,800 --> 00:33:35,280
There's there's some action
shot.

661
00:33:35,280 --> 00:33:37,280
Is this is this from your buddy
Tim or is this just somebody

662
00:33:37,280 --> 00:33:40,880
else on the road taking pics?
Those are, yeah, just kind of

663
00:33:41,160 --> 00:33:43,640
pictures taken from probably a
cell phone.

664
00:33:43,640 --> 00:33:47,400
Look, Dave, yeah, your look is.
Out you have the look like

665
00:33:47,400 --> 00:33:49,960
straight up dude, you got the
look for for what?

666
00:33:51,040 --> 00:33:52,920
But think about it, so many
artists you.

667
00:33:53,440 --> 00:33:54,760
You hate when you have there
too.

668
00:33:54,760 --> 00:33:57,400
That's a huge point, Chris.
Yeah, when you hear, when you

669
00:33:57,400 --> 00:34:01,520
hear somebody singing right and
then, and then you, you radio

670
00:34:01,520 --> 00:34:03,200
Sirius, whatever.
And then all of a sudden you go

671
00:34:03,200 --> 00:34:05,800
home and you Google that then
and it's like, oh, that's what?

672
00:34:06,000 --> 00:34:08,800
Oh, really?
Oh you, you have the look to

673
00:34:08,800 --> 00:34:10,960
back the sound man.
All right.

674
00:34:10,960 --> 00:34:11,760
Awesome.
Well, thank you.

675
00:34:12,520 --> 00:34:15,080
I mean that's I would say nobody
that was on purpose.

676
00:34:16,600 --> 00:34:19,040
Well, I know, but yeah, that's
gotta be, yeah.

677
00:34:19,080 --> 00:34:22,440
I always say nobody wants to go
to a concert and see their dad

678
00:34:22,440 --> 00:34:25,000
up there playing music, right?
You don't want to see it or

679
00:34:25,000 --> 00:34:28,000
their up shirt.
Or their teacher or something.

680
00:34:29,080 --> 00:34:33,440
Yeah, yeah, I don't, I don't
never show up at a gig as if I

681
00:34:33,440 --> 00:34:37,520
just got off work and and came
came over, you know, Right,

682
00:34:37,560 --> 00:34:38,600
Right.
I thought that was pretty

683
00:34:38,679 --> 00:34:41,080
valuable lesson.
Representation as well.

684
00:34:41,480 --> 00:34:43,280
Yeah.
Absolutely, Absolutely.

685
00:34:43,880 --> 00:34:46,840
If you're going to be larger
than life, you got to be larger

686
00:34:46,840 --> 00:34:48,960
than life.
Yeah, you do.

687
00:34:49,080 --> 00:34:50,280
You got to own it, man.
You got to have the.

688
00:34:50,280 --> 00:34:52,520
Presents.
When I go to the grocery store,

689
00:34:52,560 --> 00:34:55,280
this is what I look like.
When I go set up my gear, this

690
00:34:55,280 --> 00:34:58,160
is what I look like.
I call him this guy Dave's

691
00:34:58,160 --> 00:34:59,480
Roadie.
So.

692
00:34:59,840 --> 00:35:03,440
And then I'll, I'll go change my
hat and put on my glasses and

693
00:35:04,040 --> 00:35:05,440
oh, shit.
Dave Noodles here.

694
00:35:05,440 --> 00:35:09,600
All right, Yeah.
No, it, it worked, though.

695
00:35:09,600 --> 00:35:11,920
You got to have you got to have
like Mike was big when we, when

696
00:35:11,920 --> 00:35:16,840
he put together the band that we
were in, he, he was, the looks

697
00:35:16,840 --> 00:35:19,080
were important because back then
it was the early 90s.

698
00:35:19,080 --> 00:35:20,800
So it's all about about the
look.

699
00:35:20,800 --> 00:35:22,440
And do you have like he he had
long hair.

700
00:35:22,440 --> 00:35:25,400
Scott had long hair.
I ironically was in a play.

701
00:35:25,400 --> 00:35:27,720
My bald cap ripped so I shaved
my head.

702
00:35:27,720 --> 00:35:28,960
Shut up.
The one day to practice my head

703
00:35:28,960 --> 00:35:31,080
shaved.
Unbeknownst to my ignorance of

704
00:35:31,160 --> 00:35:33,800
of me, I was wearing red and
black flannel shirts with Doc

705
00:35:33,800 --> 00:35:35,720
Martens and a completely shaved
head.

706
00:35:36,000 --> 00:35:40,240
In like 1994.
And, you know, living, living

707
00:35:40,240 --> 00:35:43,200
with a black dude as my roommate
who is all into Louis Farrakhan

708
00:35:43,200 --> 00:35:44,720
and shit.
So imagine us walking down the

709
00:35:44,720 --> 00:35:50,400
street, Dave.
But but so it was great.

710
00:35:50,720 --> 00:35:53,480
And then we got we got typecast
for one of our shows.

711
00:35:53,480 --> 00:35:56,560
They put us with a Skinhead kind
of thing because oh really?

712
00:35:57,920 --> 00:35:59,560
And we were the heard this thing
from that.

713
00:35:59,560 --> 00:36:02,320
But you know, we were accepted
because the way I looked, you

714
00:36:02,320 --> 00:36:04,840
know, sure, because I owned the
stage, I had the presence, I

715
00:36:04,840 --> 00:36:07,640
knew how to work the crowd and
shit, which we won't go into the

716
00:36:07,640 --> 00:36:10,960
story because they told 1000 of
times, but you know, I, I filled

717
00:36:10,960 --> 00:36:14,760
the void for a singer they had
that that just wouldn't perform

718
00:36:14,760 --> 00:36:18,840
on stage in front of a crowd.
That's another thing.

719
00:36:18,840 --> 00:36:21,240
You can't just stand still while
you sing your songs anymore.

720
00:36:21,440 --> 00:36:24,680
No, I mean you can.
Sometimes you can get away with

721
00:36:24,680 --> 00:36:26,440
it a little.
Bit straight and get George yeah

722
00:36:26,720 --> 00:36:29,160
yeah George Strait can get away
with it Alan Jackson getting

723
00:36:29,160 --> 00:36:32,720
away with it but you know Dave
Mustaine gets away with it but I

724
00:36:32,720 --> 00:36:36,000
I lose interest if you just I
just.

725
00:36:39,040 --> 00:36:41,560
Hands in one hand in a pocket,
one hand on the mic.

726
00:36:42,280 --> 00:36:44,240
Yeah, yeah.
I'm like, you're feeling it.

727
00:36:44,240 --> 00:36:45,960
So show the world you feel it,
you know?

728
00:36:46,000 --> 00:36:48,600
Yeah, it's but to each his own
though.

729
00:36:48,600 --> 00:36:50,120
But that's, you know.
But I agree with you.

730
00:36:50,120 --> 00:36:53,160
If, if for me, if the singer's
not entertaining, I'm not, I'm

731
00:36:53,160 --> 00:36:54,920
not.
I'm not going past him to the

732
00:36:54,920 --> 00:36:56,080
band.
Right.

733
00:36:56,160 --> 00:36:59,960
Chris literally would not take
no for an answer from any crowd

734
00:36:59,960 --> 00:37:03,240
that ever stood in front of him.
No, if he asked them a question

735
00:37:03,240 --> 00:37:06,880
and he and he got crickets.
He was like, I'm not going to

736
00:37:06,880 --> 00:37:09,800
quit asking this question until
I get some kind of response and

737
00:37:09,920 --> 00:37:13,240
and not in those words.
But he had a very good way of

738
00:37:13,240 --> 00:37:16,720
just asking that same question
until people were like, oh, he

739
00:37:16,720 --> 00:37:18,600
wants us to participate.
Yeah, right.

740
00:37:19,040 --> 00:37:20,760
I used to give away.
I used to give away pictures of

741
00:37:20,760 --> 00:37:23,120
beer.
I I used to give away pictures

742
00:37:23,120 --> 00:37:24,720
of beer, Dave.
So I'd ask people.

743
00:37:25,080 --> 00:37:26,800
The first time I ever did, I was
like, who wants a free pitch of

744
00:37:26,800 --> 00:37:28,000
your beer?
Crickets.

745
00:37:28,480 --> 00:37:30,320
And I was like, I don't think
you heard me.

746
00:37:30,960 --> 00:37:33,400
The loudest motherfucker who
raises their hand when I say,

747
00:37:33,400 --> 00:37:35,960
who wants a free pitch of beer?
You get a pitch of your beer.

748
00:37:36,120 --> 00:37:39,800
I already paid for it. 123.
Who wants a free pitch of beer?

749
00:37:39,800 --> 00:37:42,880
And then everybody's like, what?
So that's the point where I just

750
00:37:42,880 --> 00:37:45,720
had like, OK, right there.
And then we were.

751
00:37:46,920 --> 00:37:48,680
Right.
So I I think I did that six or

752
00:37:48,680 --> 00:37:50,440
seven times at that venue and
then they finally killed me.

753
00:37:50,440 --> 00:37:51,520
He's like, dude, you can't do
that.

754
00:37:51,720 --> 00:37:53,440
Like you don't have an all 21
show.

755
00:37:53,480 --> 00:37:55,720
You have to stop.
I'm like, really?

756
00:37:57,480 --> 00:37:58,360
Oh, I'm going to.
Remember.

757
00:37:59,720 --> 00:38:01,440
Yeah, so.
But it's a cool little bit,

758
00:38:01,440 --> 00:38:04,280
because who doesn't want a free
beer?

759
00:38:04,760 --> 00:38:06,480
Right.
We found a work around then you

760
00:38:06,480 --> 00:38:07,720
just had Nikki go by.
Yeah.

761
00:38:07,800 --> 00:38:09,360
Yeah, yeah.
My wife just ended up buying the

762
00:38:09,360 --> 00:38:11,040
beer.
And you made sure they were 21,

763
00:38:11,080 --> 00:38:15,040
you know, but it's still that
was amazed the first time, Dave,

764
00:38:15,120 --> 00:38:18,760
you asked the question.
It's like it's OK.

765
00:38:18,800 --> 00:38:21,200
You know, the funniest night.
And I just thought of this the

766
00:38:21,200 --> 00:38:24,640
other day because I was thinking
of you doing that, giving away

767
00:38:24,640 --> 00:38:26,400
T-shirts and bumper stickers and
beers.

768
00:38:26,400 --> 00:38:28,880
And remember the night we were
playing with Sacred Reich and

769
00:38:28,880 --> 00:38:31,320
nobody, You're like, who's here
to see Sacred Reich?

770
00:38:31,320 --> 00:38:34,160
And nobody said anything.
And you were like Chris said,

771
00:38:34,280 --> 00:38:37,640
you all know that the guy
running sound plays rhythm

772
00:38:37,640 --> 00:38:39,960
guitar in the band you came to
see, right?

773
00:38:39,960 --> 00:38:43,600
So then he got kind of 1/2
lukewarm response the second

774
00:38:43,680 --> 00:38:46,040
time.
And he says, Jason, feel free to

775
00:38:46,040 --> 00:38:51,160
kick all their asses because
literally their rhythm guitar

776
00:38:51,160 --> 00:38:54,160
player was our sound man.
So he was right there.

777
00:38:55,360 --> 00:38:57,960
Right on.
Well, I know this whenever.

778
00:38:58,040 --> 00:39:01,520
That.
Yeah, whenever I get a mediocre

779
00:39:01,520 --> 00:39:03,880
response when I'm on a
microphone and I'd say like

780
00:39:03,880 --> 00:39:06,680
something like how we all doing
tonight or whatever, you know,

781
00:39:06,960 --> 00:39:09,840
just trying to get get a little
rise out of the crowd and a

782
00:39:09,960 --> 00:39:14,360
little soft, kind of like woo.
I'm like, oh, right.

783
00:39:14,360 --> 00:39:17,600
So what I figured out is if you
say it again with a little bit

784
00:39:17,600 --> 00:39:21,320
more conviction, a little
louder, people start realizing

785
00:39:21,320 --> 00:39:23,560
that, oh, oh, he was talking to
us.

786
00:39:24,240 --> 00:39:27,520
So then you get the big cheer
from the crowd that that's the

787
00:39:27,880 --> 00:39:30,360
the bitch about playing in bars
and stuff like that.

788
00:39:30,360 --> 00:39:33,440
I'm I'm glad that I have the
opportunity to do bigger things

789
00:39:33,440 --> 00:39:36,320
than that, but I love playing in
the bars too.

790
00:39:36,320 --> 00:39:38,560
It's a lot of fun, as long as
everybody knows what they're.

791
00:39:38,600 --> 00:39:40,800
There for somewhere, Yeah,
right.

792
00:39:41,200 --> 00:39:43,960
Well, and, and when they know
that you're there to really

793
00:39:43,960 --> 00:39:46,920
perform for them, it's a
different thing than just some

794
00:39:46,920 --> 00:39:49,440
band in the background making
noise while we're over here

795
00:39:49,600 --> 00:39:52,840
visiting with our friends or
whatever, you know, So, and I, I

796
00:39:52,840 --> 00:39:55,760
have a couple of songs like like
so far so good that I wrote.

797
00:39:56,600 --> 00:40:00,400
The reason I wrote it, called it
So Far So Good is because

798
00:40:00,400 --> 00:40:03,680
everybody knows that phrase.
And so my job is to get

799
00:40:03,680 --> 00:40:05,440
everybody to say it at the
shows.

800
00:40:05,840 --> 00:40:10,240
And I do, and sometimes it takes
a few takes a couple of tries to

801
00:40:10,240 --> 00:40:13,000
get everybody on board, but I
always get them.

802
00:40:13,080 --> 00:40:14,480
You know what I mean?
Yeah.

803
00:40:14,920 --> 00:40:17,480
It does, and there's nothing
better than that man having the

804
00:40:17,480 --> 00:40:18,960
crowd sing back to you where
you're telling.

805
00:40:19,040 --> 00:40:20,640
Hell yeah, that.
Absolutely.

806
00:40:20,640 --> 00:40:24,520
That to me is is the greatest
moment of every time I was ever

807
00:40:24,520 --> 00:40:26,000
on stage.
If I got the crowd to sing

808
00:40:26,000 --> 00:40:27,280
something back to me.
Yep.

809
00:40:27,600 --> 00:40:31,000
Right.
That was my when, when I decided

810
00:40:31,000 --> 00:40:32,920
I wanted to get into the music
world, that was my thing.

811
00:40:32,920 --> 00:40:35,480
I wanted to be standing, you
know, in front of a venue like

812
00:40:35,480 --> 00:40:37,920
Madison, the Square Garden and
just kind of step back and have

813
00:40:37,920 --> 00:40:40,680
people sing back to me.
Never happened, but it's still

814
00:40:40,720 --> 00:40:43,680
what we we approached every show
like this is it.

815
00:40:43,680 --> 00:40:45,120
This is the last time we're
playing.

816
00:40:45,120 --> 00:40:47,680
So there was never, there was
never that, oh shit, we're

817
00:40:47,680 --> 00:40:49,640
playing this song for the
thousandth time or the five

818
00:40:49,640 --> 00:40:51,200
thousandth time.
It wasn't like that with us.

819
00:40:51,240 --> 00:40:54,640
Like our whole purpose once we
got on the stage was like, we're

820
00:40:54,640 --> 00:40:56,880
going to win this crowd over
because they're a new crowd.

821
00:40:56,960 --> 00:41:00,400
We had the ability to open up
for everybody from Marshall

822
00:41:00,400 --> 00:41:04,240
Tucker Band to Sacred Right to.
You know Tony McAlpine, Pat

823
00:41:04,240 --> 00:41:06,600
Travers, right?
Just LA Gong.

824
00:41:07,080 --> 00:41:10,680
Yeah, $7.00.
Yeah, I mean, just because we

825
00:41:10,680 --> 00:41:14,040
had, we were that song you heard
for the for the show that we

826
00:41:14,040 --> 00:41:16,680
started, that's one of our songs
called Freeman.

827
00:41:17,000 --> 00:41:20,360
Oh, OK, right on.
And we wrote that 30 years ago,

828
00:41:20,520 --> 00:41:22,800
and it's still can still be
played today, yeah.

829
00:41:22,800 --> 00:41:23,720
Love it.
Yeah.

830
00:41:25,160 --> 00:41:26,320
That's the cool thing about
music, man.

831
00:41:26,360 --> 00:41:28,320
It's just it's timeless, the
test of time.

832
00:41:28,320 --> 00:41:32,120
And it's a it's a common thread.
Like, you know, we don't know

833
00:41:32,120 --> 00:41:34,480
you from Adam, and we've had a
conversation for 50 minutes all

834
00:41:34,480 --> 00:41:36,240
about music and it's like we're
brothers.

835
00:41:36,520 --> 00:41:40,520
You know, absolutely that's.
Been the beauty of music my

836
00:41:40,520 --> 00:41:43,200
whole life, man.
Once you find out you have that

837
00:41:43,200 --> 00:41:45,320
common ground.
Like Chris just said, instantly

838
00:41:45,320 --> 00:41:47,240
we were all three on the same
page.

839
00:41:47,240 --> 00:41:49,800
We just met you, you know, less
than an hour ago.

840
00:41:50,040 --> 00:41:52,360
Yeah, Yep.
But that's because you've been

841
00:41:52,360 --> 00:41:55,320
doing music for 25 years. him
and I have been doing it for 30

842
00:41:55,320 --> 00:41:57,680
plus years.
When you have that kind of

843
00:41:58,480 --> 00:42:02,880
dedication put into anything,
you really have respect for

844
00:42:02,880 --> 00:42:04,960
anyone that does anything at
that level.

845
00:42:04,960 --> 00:42:08,760
Not just music, you know, any
kind of art construction,

846
00:42:08,760 --> 00:42:11,800
whatever is yours.
What I like to call skill set.

847
00:42:12,160 --> 00:42:14,080
Yeah.
Right When you put that 10,000

848
00:42:14,080 --> 00:42:17,520
hours into it and then you
become a master, you have

849
00:42:17,520 --> 00:42:19,720
appreciation for anybody that
can do that, Yeah.

850
00:42:20,000 --> 00:42:23,040
Absolutely, yeah.
Unspoken respect.

851
00:42:23,240 --> 00:42:26,760
Immediately, the guy that taught
me to play gave me that lesson

852
00:42:26,760 --> 00:42:31,680
that he just talked about.
Probably maybe in the first year

853
00:42:31,680 --> 00:42:35,240
I was taking lessons when I
first started to be able to play

854
00:42:35,240 --> 00:42:38,760
a song.
He's like, every time you pick

855
00:42:38,760 --> 00:42:41,720
up your guitar, play like it's
the last time you're ever going

856
00:42:41,720 --> 00:42:43,640
to play, because eventually it
will be.

857
00:42:43,920 --> 00:42:46,720
Right, so.
What he meant was don't put 1/2

858
00:42:46,720 --> 00:42:49,520
hearted effort into it, ever.
Whether you're practicing or

859
00:42:49,520 --> 00:42:52,600
whether you're standing in front
of 60,000 people, you play the

860
00:42:52,600 --> 00:42:55,120
same way every time.
Yeah, absolutely.

861
00:42:55,120 --> 00:42:58,160
And when I'm feeling like I'm
not playing well, it's always

862
00:42:58,160 --> 00:43:00,640
because I'm not putting enough
effort into it, you know?

863
00:43:02,000 --> 00:43:04,840
Right.
Yeah, I kind of approach the

864
00:43:04,840 --> 00:43:08,800
singing too, that way.
Like I'm not gonna half ass it

865
00:43:08,960 --> 00:43:10,720
at a show.
I'm gonna put all I've got into

866
00:43:10,720 --> 00:43:13,000
it every time.
And it doesn't matter if they're

867
00:43:13,000 --> 00:43:17,520
even if five people or 4000
people, right, They all get the

868
00:43:17,520 --> 00:43:20,880
so far so good treatment.
Yeah, that was.

869
00:43:20,920 --> 00:43:22,880
Awesome.
And I I learned I learned that

870
00:43:22,880 --> 00:43:25,280
from watching the documentary on
mother love bone Precious

871
00:43:25,320 --> 00:43:28,160
Andrew.
All right, you know, just bummer

872
00:43:28,160 --> 00:43:30,000
that the dude's dead, but.
Yeah, absolutely.

873
00:43:30,040 --> 00:43:33,600
Yeah.
That that Andrew would to me

874
00:43:33,600 --> 00:43:39,280
epitomized a lead singer and and
one of one of the many singers

875
00:43:39,280 --> 00:43:40,840
that I kind of like.
Oh, agreed.

876
00:43:40,840 --> 00:43:43,400
But he approached every single
show, whether like you said,

877
00:43:43,400 --> 00:43:47,080
whether it's five people or
5000, he's in an arena.

878
00:43:47,680 --> 00:43:50,600
I'm, I'm in front of, I'm in
front of 5000 people, whatever.

879
00:43:50,600 --> 00:43:54,360
And his mindset was I'm playing
in front of a sold out crowd at

880
00:43:54,360 --> 00:43:56,960
the biggest venue possible.
And I'm making sure everybody in

881
00:43:56,960 --> 00:43:59,000
this venue hears me and it gets
the same experience.

882
00:43:59,240 --> 00:44:00,960
Kind of like you and I were
talking yesterday how Garth

883
00:44:00,960 --> 00:44:03,720
Brooks approach things in his
heyday, right where he'd go up

884
00:44:03,720 --> 00:44:06,320
to the to the top of the stadium
and look down at the crowd.

885
00:44:06,320 --> 00:44:08,840
He's like, I got to figure out
how this person up here can feel

886
00:44:08,840 --> 00:44:10,880
me all the way down there.
Right.

887
00:44:10,960 --> 00:44:14,240
That's a unique, that's a unique
skill set for a singer to be

888
00:44:14,240 --> 00:44:15,720
able to do that.
But you have to be able to do

889
00:44:15,720 --> 00:44:18,760
that to get people in into what
you're doing because that

890
00:44:18,760 --> 00:44:21,000
equates to the sales and the
success and the, and the

891
00:44:21,000 --> 00:44:23,040
merchandise and all the things
that come along with it.

892
00:44:23,480 --> 00:44:26,120
But I mean, and so it's it's
it's not an easy thing to do

893
00:44:26,120 --> 00:44:28,080
because there's lots of bands
out there.

894
00:44:28,080 --> 00:44:29,840
We talked about they just will
stand there and sing.

895
00:44:29,840 --> 00:44:31,840
There's no man engaged.
You're not excited.

896
00:44:31,840 --> 00:44:33,320
It's like, yeah, come on, man,
come on.

897
00:44:33,320 --> 00:44:36,240
You know, you know, and you
know, one hit wonders on 12

898
00:44:36,240 --> 00:44:37,880
track albums.
It's like, what the fuck?

899
00:44:38,720 --> 00:44:41,160
We got like 10 minutes.
We got, we got like 10 minutes

900
00:44:41,160 --> 00:44:42,200
left.
So I'm going to share some of

901
00:44:42,200 --> 00:44:45,520
your stuff here and you feel
free to kind of chat over

902
00:44:45,520 --> 00:44:47,800
everything.
So this is Dave.

903
00:44:47,800 --> 00:44:53,480
This is Dave's YouTube page.
It's Dave Nudo.

904
00:44:53,480 --> 00:44:58,320
I just went in into YouTube.
Dave Nudo, so this is one of his

905
00:44:58,320 --> 00:45:01,720
YouTube pages.
He hassle has his web, his band

906
00:45:01,720 --> 00:45:03,920
page, Dave neuter.com, which we
were on earlier.

907
00:45:04,400 --> 00:45:06,200
Tim Schmidt photography.
So check him out.

908
00:45:06,200 --> 00:45:08,920
Way to go, Tim.
Nice job, high school buddy of

909
00:45:08,920 --> 00:45:11,160
Dave.
There's upcoming shows you can

910
00:45:11,240 --> 00:45:13,280
you can get tickets, you can set
reminders.

911
00:45:13,720 --> 00:45:15,760
There's a there's a tip jar, pay
the man.

912
00:45:16,800 --> 00:45:19,600
You know, everything helps.
There is there is a link that

913
00:45:19,600 --> 00:45:21,680
you click the follow.
When you click that follow link,

914
00:45:21,680 --> 00:45:24,600
it takes you to what was it
bands.

915
00:45:25,400 --> 00:45:28,240
I did it a minute ago.
Was it Van Zoogle?

916
00:45:29,720 --> 00:45:32,760
There it is.
Yeah.

917
00:45:32,760 --> 00:45:33,880
Just Dave.
Yeah.

918
00:45:34,000 --> 00:45:35,040
Yeah.
No, I don't want that.

919
00:45:35,040 --> 00:45:37,040
Oh, bands in town, Yeah.
Oh, that's it.

920
00:45:37,040 --> 00:45:38,880
So you click.
On that and yeah, you can click

921
00:45:38,880 --> 00:45:40,720
on that and be notified when
Dave comes to town.

922
00:45:41,360 --> 00:45:45,160
Here's his one of his Facebook's
pages, the Dave Noodle Band, so

923
00:45:45,160 --> 00:45:47,440
you can get all his updates and
information there that you can

924
00:45:47,440 --> 00:45:50,320
sell the photos.
This Is Us promoting him coming

925
00:45:50,320 --> 00:45:51,840
on the show because you know,
he's a bad ass.

926
00:45:52,480 --> 00:45:54,560
So thank you.
All the stuff, all the stuff

927
00:45:54,560 --> 00:45:56,920
going on there.
Then you have his other page,

928
00:45:56,920 --> 00:45:58,760
just Dave Noodle, which you're
going to kind of get the same.

929
00:45:58,760 --> 00:46:02,080
This is the first one I saw him.
I guess we're still.

930
00:46:02,080 --> 00:46:04,080
Seeing the YouTube page by.
Oh, Dang it.

931
00:46:04,080 --> 00:46:05,840
Hold on, doggone it.
OK, hold on.

932
00:46:06,200 --> 00:46:07,960
You know?
OK, let's.

933
00:46:07,960 --> 00:46:09,120
I want to share, man.
Let's go.

934
00:46:09,120 --> 00:46:11,360
Stupid thing.
I thought I would share the

935
00:46:11,360 --> 00:46:15,680
pages with me as I was moving.
No, you got to do it each tab.

936
00:46:16,360 --> 00:46:19,880
So this is this is Dave's.
This is Dave's actual Facebook

937
00:46:19,880 --> 00:46:21,200
page.
Just Dave Nudo.

938
00:46:21,200 --> 00:46:24,120
OK, there we go.
And then there's a Photo by Tim

939
00:46:24,120 --> 00:46:25,240
Schmidt.
Yeah.

940
00:46:25,240 --> 00:46:27,240
So that's kind of cool.
That was a cool.

941
00:46:27,240 --> 00:46:30,480
This is all his concept too.
I mean, I don't really read

942
00:46:30,480 --> 00:46:32,880
Louis Lamar books and I don't
smoke cigars.

943
00:46:33,120 --> 00:46:34,640
I mean, I'll drink the whiskey,
but.

944
00:46:36,040 --> 00:46:39,240
Don't tell people that, Dave.
He's the artist on that picture.

945
00:46:40,520 --> 00:46:42,280
Yeah, yeah.
Tim's going Don't give away all

946
00:46:42,280 --> 00:46:43,040
my secrets.
Don't give.

947
00:46:43,120 --> 00:46:46,160
Away the secrets.
So here's the here's the band.

948
00:46:46,160 --> 00:46:48,840
Here's here's here's the band
page since I messed that up a

949
00:46:48,840 --> 00:46:50,440
minute ago.
Dave Noodle Band.

950
00:46:50,440 --> 00:46:53,320
So both, both Facebook Dave
Noodle Band or Dave Noodle

951
00:46:53,320 --> 00:46:55,320
itself.
You're going to get all the

952
00:46:55,320 --> 00:46:58,240
updates, all the information
that takes you to his website,

953
00:46:58,240 --> 00:47:00,240
davenoodle.com or Dave
noodleband.com.

954
00:47:00,240 --> 00:47:02,640
Sorry about that.
I love that picture that you

955
00:47:02,640 --> 00:47:05,840
guys shared for the promo for
our show, too.

956
00:47:05,840 --> 00:47:07,200
Yeah, Where where's that taken
at?

957
00:47:07,200 --> 00:47:12,080
That's an excellent picture.
Oh, yeah, we, we, we, we played

958
00:47:12,080 --> 00:47:16,280
at the Treeport Music Hall last
year and sold the tickets for

959
00:47:16,280 --> 00:47:19,080
all of that down here in Boise.
And, and boy, that stage is

960
00:47:19,080 --> 00:47:20,560
killer.
I mean, look at those lights.

961
00:47:20,560 --> 00:47:21,440
Those are amazing.
Yeah.

962
00:47:21,720 --> 00:47:24,840
Yeah, that looks beautiful, man.
And there's other ones from that

963
00:47:24,840 --> 00:47:27,640
that are totally different color
scheme that just looked

964
00:47:27,640 --> 00:47:30,000
phenomenal.
So whoever's running the lights

965
00:47:30,000 --> 00:47:32,920
down there at Treeport Music
Halls got they got it on the

966
00:47:32,920 --> 00:47:34,520
lock.
Kudo.

967
00:47:34,640 --> 00:47:36,880
We had some really cool pictures
coming out of that.

968
00:47:37,000 --> 00:47:40,400
Yeah, yeah, that's a cool venue.
Right on.

969
00:47:41,360 --> 00:47:44,200
Yeah, so I kind of just told
everybody where to find you.

970
00:47:44,200 --> 00:47:46,320
We got about 5 minutes left.
Anything else you want to say

971
00:47:46,320 --> 00:47:48,080
before I wrap this up and you
get on with your day?

972
00:47:49,160 --> 00:47:51,920
Check out Vela Cheetah.
It looks like Vela.

973
00:47:52,360 --> 00:47:55,160
How do you spell that VEL it?
Looks like velocity.

974
00:47:56,160 --> 00:47:58,200
Right.
Yeah, it's not really pronounced

975
00:47:58,200 --> 00:48:01,120
the way it's said.
So what's the last four letters

976
00:48:01,120 --> 00:48:04,040
on it?
CSCITA.

977
00:48:04,040 --> 00:48:08,520
Yeah, Bella cheated with Bruce
Gambino and and Russ Allen is

978
00:48:08,520 --> 00:48:12,360
his partner and Russ Allen is
the dude that kind of founded

979
00:48:12,360 --> 00:48:16,640
Symphony X and he started
Adrenaline Mob and boy, that

980
00:48:16,640 --> 00:48:20,600
guy, I didn't realize who I was
dealing with when I heard the

981
00:48:20,600 --> 00:48:22,920
name Russ Allen.
That guy's got one of the most

982
00:48:22,920 --> 00:48:26,360
killer singing voices on the
face of the planet and, and

983
00:48:27,200 --> 00:48:31,600
apparently quite a, a hell of a
work ethic.

984
00:48:31,920 --> 00:48:35,480
So I'm I'm in good hands with
these guys and Bruce Gambino

985
00:48:35,480 --> 00:48:39,760
and, and yeah, Bella Cheetah.
I'm looking forward to all the

986
00:48:39,760 --> 00:48:42,240
things that that are coming up
real soon.

987
00:48:42,360 --> 00:48:44,680
That's awesome.
Yeah, Bruce, Bruce.

988
00:48:44,720 --> 00:48:46,520
Bruce is good people, man.
He's he.

989
00:48:46,960 --> 00:48:48,760
I sent him a Facebook message,
dude.

990
00:48:48,760 --> 00:48:51,680
That's how I found him.
And it took him a while.

991
00:48:51,680 --> 00:48:53,080
He took him a while.
I'm going to share this.

992
00:48:53,080 --> 00:48:55,200
It took him a while to get back
to me because obviously he's

993
00:48:55,200 --> 00:48:58,480
busy.
But, you know, same thing, the

994
00:48:58,480 --> 00:49:02,880
common thread of music.
I consider him a friend because,

995
00:49:03,080 --> 00:49:06,720
I mean, we've had conversations
last an hour or more and it's

996
00:49:06,720 --> 00:49:08,680
all talking about music and
musicians.

997
00:49:09,480 --> 00:49:10,480
Yeah, that's his.
That's his.

998
00:49:10,680 --> 00:49:12,480
That's his LinkedIn.
That's his LinkedIn page.

999
00:49:12,480 --> 00:49:13,760
Oh.
Cool.

1000
00:49:14,440 --> 00:49:15,400
That's awesome.
Yeah.

1001
00:49:15,760 --> 00:49:16,440
Right on.
I wanted.

1002
00:49:16,480 --> 00:49:19,040
I wanted, yeah.
Yeah, he's a hell of a nice guy.

1003
00:49:19,040 --> 00:49:23,360
And yeah, like you said, you can
get in a conversation for quite

1004
00:49:23,360 --> 00:49:25,760
a while with that guy.
He's about as friendly as they

1005
00:49:25,760 --> 00:49:28,560
get.
Also, he's a hard working dude

1006
00:49:28,560 --> 00:49:32,640
and he's got a lot of ambition.
And I'm, I'm really, I feel like

1007
00:49:32,640 --> 00:49:35,320
I'm in good hands with with
that, that whole group of dudes.

1008
00:49:35,680 --> 00:49:39,320
And I can't wait to see what
comes in 2026.

1009
00:49:39,320 --> 00:49:43,240
So we're, we're supposed to be
going on, you know, tours with

1010
00:49:43,600 --> 00:49:47,200
much bigger names than mine.
And I'm just happy as hell to be

1011
00:49:47,200 --> 00:49:50,040
doing that.
Yeah, he's, yeah.

1012
00:49:50,040 --> 00:49:52,240
So here's, There it is.
Here's Bella Cheetah.

1013
00:49:53,000 --> 00:49:55,040
There's their Facebook page,
Vela Cheetah Vela.

1014
00:49:55,680 --> 00:49:58,240
Cheetah.
So he kind of looks like you and

1015
00:49:58,240 --> 00:50:00,520
him walking down a dark alley.
Man, I'm fucking running away.

1016
00:50:00,880 --> 00:50:02,960
I'm just saying.
Yeah, yeah, absolutely.

1017
00:50:03,120 --> 00:50:05,520
Yeah.
Or I'm standing behind you,

1018
00:50:05,880 --> 00:50:06,880
right?
Right.

1019
00:50:07,120 --> 00:50:09,080
I'll tell you, I'm not gonna
ever mess with that guy.

1020
00:50:10,560 --> 00:50:13,920
Yeah, yeah.
So that's his Facebook page.

1021
00:50:14,240 --> 00:50:17,360
But yeah, he's a super nice guy
and fucking way cool.

1022
00:50:17,840 --> 00:50:19,880
Yeah.
Thanks again, Bruce, for hooking

1023
00:50:19,880 --> 00:50:22,720
us up with Dave and the future
guests we have coming up.

1024
00:50:22,720 --> 00:50:25,600
That's awesome.
Absolutely truly appreciate it

1025
00:50:25,640 --> 00:50:28,600
and cool dude.
And Dave, you're more than

1026
00:50:28,600 --> 00:50:31,640
welcome any time to come back
on, especially once you get once

1027
00:50:31,640 --> 00:50:33,720
you get, you know, mid next
year, if you want to come back

1028
00:50:33,720 --> 00:50:35,280
on, give us an update what
you're doing, where you're

1029
00:50:35,280 --> 00:50:36,720
going, you know, things like
that because.

1030
00:50:36,720 --> 00:50:39,000
Absolutely.
Again, we're all about

1031
00:50:39,000 --> 00:50:41,280
connecting with musicians and
helping you guys get your get

1032
00:50:41,280 --> 00:50:43,640
your sound out there and stuff
and you know.

1033
00:50:43,640 --> 00:50:47,640
I'm all about getting on good
conversations with new dudes, so

1034
00:50:47,640 --> 00:50:49,160
thank you guys for having me on
here.

1035
00:50:49,800 --> 00:50:51,160
Appreciate.
It was a pleasure man.

1036
00:50:51,160 --> 00:50:55,240
Super nice to meet you man.
Yeah, and go, go, go to go to go

1037
00:50:55,240 --> 00:50:58,440
to Apple or go to go to all your
downloading music things and and

1038
00:50:58,440 --> 00:51:03,080
go get county line and go get Oh
hell, I just the the Lord or the

1039
00:51:03,080 --> 00:51:03,760
devil.
What's that?

1040
00:51:03,760 --> 00:51:05,160
What's going?
I just bring part of it.

1041
00:51:05,640 --> 00:51:09,800
The the Lord, Yeah.
Yeah, go by the Lord of the.

1042
00:51:09,920 --> 00:51:12,720
If you do nothing else today, go
by the Lord of the the Lord.

1043
00:51:12,720 --> 00:51:14,360
Of the devils we get off.
Here download.

1044
00:51:14,680 --> 00:51:17,880
I guarantee you, you're going to
love that song if you like music

1045
00:51:17,880 --> 00:51:22,720
and you like the southern rocky
country flair thing, you know?

1046
00:51:22,800 --> 00:51:25,240
Try a song called Lonesome too.
There's a song?

1047
00:51:25,240 --> 00:51:28,400
I know Lonesome's not a very
catchy, catchy name, but the the

1048
00:51:28,640 --> 00:51:30,160
I think that track is pretty
good.

1049
00:51:30,960 --> 00:51:33,680
I'm pretty happy with it.
Yep, right on man.

1050
00:51:33,680 --> 00:51:36,640
Kind of the kind of the same
same guys doing the music there.

1051
00:51:36,640 --> 00:51:39,280
So anyway, what a pleasure.
Thank you guys.

1052
00:51:39,680 --> 00:51:41,880
Yeah, you as well, Dave.
We appreciate your time, man.

1053
00:51:42,120 --> 00:51:44,240
We wrap up every show like this.
If you're feeling down,

1054
00:51:44,240 --> 00:51:46,160
depressed, suicidal, don't do
it.

1055
00:51:46,160 --> 00:51:47,880
Go find somebody.
Go talk to somebody.

1056
00:51:48,280 --> 00:51:49,640
Go scream in a pillow.
Go journal.

1057
00:51:49,640 --> 00:51:50,640
Go work out.
Go run.

1058
00:51:50,640 --> 00:51:53,320
Do something.
Tomorrow's going to be a better

1059
00:51:53,320 --> 00:51:54,800
day with you in it.
You don't want to leave a hole

1060
00:51:54,800 --> 00:51:56,960
in somebody else's heart because
you decided to make a decision

1061
00:51:56,960 --> 00:51:58,200
that you can never come back
from.

1062
00:51:58,200 --> 00:52:00,840
So remember, Somebody Loves You.
If you're having struggles and

1063
00:52:00,840 --> 00:52:03,280
you can't find someone to talk
to, text 988.

1064
00:52:03,280 --> 00:52:05,840
There's someone there standing
by to help you through whatever

1065
00:52:05,840 --> 00:52:08,200
struggles you're doing.
With that being said, I'm Chris.

1066
00:52:08,200 --> 00:52:09,360
He's Mike.
That's Dave Noodle.

1067
00:52:09,560 --> 00:52:11,400
Dave noodleband.com.
Go check him out.

1068
00:52:11,400 --> 00:52:13,760
Go buy all this stuff.
Tip him in his website.

1069
00:52:13,760 --> 00:52:16,120
Go check him out live.
He's got all kinds of shit

1070
00:52:16,120 --> 00:52:18,400
coming up.
Villa Cheetah, right?

1071
00:52:18,400 --> 00:52:19,880
That's the other right?
That's right.

1072
00:52:20,760 --> 00:52:24,200
Village Village Cheetah Market
Agency is the man behind him

1073
00:52:24,200 --> 00:52:26,000
right now.
And Bruce Danbino, shout out,

1074
00:52:26,000 --> 00:52:27,080
man, thank you for hooking us
up.

1075
00:52:27,280 --> 00:52:29,680
Thanks, Bruce.
Yeah, until next episode.

1076
00:52:29,680 --> 00:52:30,960
We'll see you later.
Love you, brother.

1077
00:52:30,960 --> 00:52:31,960
Hey.
Love you too man.

1078
00:52:31,960 --> 00:52:33,120
Peace out.
Peace Dave.

1079
00:52:33,320 --> 00:52:34,280
Dave.
Peace man.

1080
00:52:34,720 --> 00:52:35,920
Don't leave yet Dave.
We got to make.

1081
00:52:50,520 --> 00:52:59,720
On your journey, this is the
place where you will go.

1082
00:52:59,720 --> 00:53:01,560
Be on the trail behind your
eyes.

1083
00:53:01,560 --> 00:53:08,080
Feel yourself and meet yourself.
Take your moment.

1084
00:53:08,160 --> 00:53:12,640
Look until you see it.
Fight your battle.

1085
00:53:12,640 --> 00:53:18,080
That's you, You bunk wheel.
Fight your battle, but you bunk

1086
00:53:18,320 --> 00:53:35,480
wheel.
Who is this baby to your finger?

1087
00:54:38,510 --> 00:54:46,450
Come down here, you haven't
found solids in your sand.

1088
00:54:48,370 --> 00:54:53,810
You can fight him.
Wait for the sea, wait for the

1089
00:54:54,370 --> 00:54:57,490
the wind.
You ain't no quizzes.

1090
00:54:58,610 --> 00:55:03,570
You're playing smile and you
took your quest on the Almighty.

1091
00:55:05,200 --> 00:55:09,720
You gotta dream who in your life
to keep up.

1092
00:55:09,880 --> 00:55:16,080
So in every man take the trail
behind your eyes.

1093
00:55:16,080 --> 00:55:18,520
Feel the soul.
Everyone shame now.

1094
00:55:18,520 --> 00:55:27,360
Yeah, yeah, yeah, yeah, yeah,
yeah.

1095
00:56:02,960 --> 00:56:07,640
You gotta, you gotta.
You gotta, you gotta, you gotta.