#150 - Unleashing the Sound of Gibson & Co: A Dive into Outlaw Country Rock

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And we're live.
Welcome YouTube and Twitchers.

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YouTube and Twitchers.
I don't know what they like to

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be called.
They're Twitchers.

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I really could just listen that
song all day, every day for the

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entire length of the song.
And then just, you know, we

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wrote about our, our, our, yes,
we did write that song.

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That's us.
Gibson and Co, They said that's

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us.
Like we wrote that song like 30

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years ago, man.
Watch how impressive.

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Watch how impressive this is.
We have Steve on my left and

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Adam on my right.
Welcome fellas.

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Oh, right on, right on.
I was practicing while you were

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restarting your computer.
Steve on my left, at him on my

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right.
So Gibson whoops.

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Gibson and company is live now
on Twitch.

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I'm I'm I'm sharing your photo.
All right on.

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So, so people can come on and
listen and all that kind of fun

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stuff.
We put it on our our Facebook

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page every time we have a guest.
So you know, it's all about

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making you guys more famous than
you already are because that's

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why we do this.
We have our recent guests

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reached 1.5 million views on
something.

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The other one just won an award
at the Grand old Opry, I think 2

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days ago.
And it's it's strictly because

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they come on our show.
There you go.

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We're taking full credit.
We're taking full credit, man,

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because.
They're not here to tell the

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real story.
Right, right.

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Absolutely it is so.
Awesome that that happened

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though.
Congratulations, Dave Nudo.

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Yeah, yeah.
Oh, and then we have and then

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Lamoine Alexander.
His stuff's charting like crazy.

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And again, it's all because he
comes on the Chris and Mike

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show.
There you go.

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You know, you know.
So yeah, you're for world

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domination.
Yeah, exactly, exactly.

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So that's why we always get
backstage passes and and VIP

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treatment when you guys explode,
because you know, we help launch

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you.
So welcome.

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Welcome to the Christian Mike
show.

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I'm Chris, He's Mike.
And as as Mike said, who were,

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who were we talking to Mike?
We have Steve on my left, Adam

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on my right.
I don't know how they look to

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you, but cowboy hat is Steve.
And there you go.

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Derby style hat is Adam.
There you go and and they are

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Gibson and they are Gibson and
Company and I love the names.

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I do too.
I you know what?

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Ironically, when we first
started chatting, I thought, I

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thought it was something
completely different than an

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actual Me too.
I, I thought you were like,

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like, I don't know, like, I
don't know, like build guitars

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or something.
Like, 'cause I get flooded with

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so many people that want to be
on the show that you know.

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So now I know that's why I asked
you before Mike showed up.

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So there's the picture of the
band.

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Can you see that?
Yes.

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Yeah, OK.
Can, can can you guys see that?

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Yeah, that's, that's what I
said.

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That was a that was a very cool
picture.

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Go ahead.
I said that's in the other room.

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That's it's a little dim, but
that's the live room that we

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were talking about earlier.
Oh, right on, right on.

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And then we have our our Michael
Castillo day guest, Mikey

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Castillo has been joining us on
this thing since day one.

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So he just chimed in saying hi,
guys.

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Hope all is well.
So let's let's let's just dive

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in.
And yeah, I want you guys to

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kind of tell our listeners and
our viewers of 27 countries, you

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know what Gibson and Co is all
about, your music, your style,

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your brand, and then we'll just
start having a conversation from

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there.
Yeah, absolutely.

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Well, we were kind of a country
rock band, pop influence, very

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guitar driven.
And if you listen to any of the

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songs, it's all starts with good
raunchy riffs and good beats and

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all of that kind of stuff.
And yeah.

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Talking my language.
Raunchy riffs man you.

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Got me right there.
Yeah, we'll go with that one.

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And then I mean, you see the
model you comment about that

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earlier.
They live like an outlaw

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dialect, you know, and that's
kind of what we're.

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Like go for.
Rebels, you know.

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Yes, thank you.
There, Now you're talking my

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language too, even even more,
right?

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I love these guys.
Yeah, I I figured you would, you

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know?
That picture is out.

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I mean, all your photography,
whoever's doing that, all of it.

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So far, the band picture is
outstanding.

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It's really cool without being
cliche or overdone.

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It's whoever came up with that.
Kudos.

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Cool.
Yeah, cool, went on.

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Yeah, that's another thing.
We've got a good team.

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Everybody offers something
different and it's it just

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works.
Good chemistry.

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Well, one thing that I always
say is nobody wants to see their

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parents up on stage, right?
So I like that you all have a

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character.
It's just, it flows very well.

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I like it right?
On it's good.

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Nice.
And that's important to me.

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Chris will tell you images,
everything, man.

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Especially when we were coming
up, there was no Internet, you

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know, it was the early 90s.
We had to go out there and beat

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the streets and get people in.
And if they came in and you

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didn't have a product to offer,
right, you guys definitely have

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a product to offer.
The photography's outstanding.

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Well, that is what a lot of I
mean it's marketing, right?

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There's so absolutely everybody
is, is a great musician and

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there's, I mean, I could walk
down the street and, and, and go

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find an electrician that's a
better drummer than I am, right?

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Correct.
Right, right.

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Yeah, yeah.
Setting yourself art.

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From I always say that it's a
given that you have to be able

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to play if you're going to be in
a band for a living, right?

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If you want to do that to make
money, obviously you have to

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know how to play.
So now what's next?

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Right.
Yeah, that's right.

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Yeah.
Set yourself apart somehow.

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And you guys have definitely
done that.

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Right on.
That's cool.

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That's cool.
Very cool.

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Yeah.
Thank you.

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Yeah, you guys keep talking.
I'm just sharing.

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I can't believe Chris has not
asked Steve, where are you from?

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Carry on.
You're from where?

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I'm from new Newcastle, England.
OK.

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Oh, right on.
Yeah, very cool.

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Aaron yen moved to moved to
Canada 19 years ago now so.

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I love, I love the accent, man.
Where are you guys at in Canada?

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Saskatchewan.
Right in the middle.

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Oh, right on.
Yeah.

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I'm going to play Chris's
drinking game and talk to me

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about The Tragically Hip real
quick.

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Oh well.
I love those guys, man.

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Yeah.
Yeah, again, raunchy riffs.

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Yeah.
Thank you.

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So is that how you would
describe your music?

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Kind of like straight ahead
rock'n'roll with A twist.

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I would say like outlaw country,
kind of.

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Yeah, outlaw country is the best
you can come up with.

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Or outlaw rock or something,
something like that.

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I know what you're talking about
and I really like that a lot.

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I.
Love the logo?

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It doesn't fit.
It doesn't fit like country,

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like pure Nashville country.
It doesn't work raw.

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It's not straight rock.
It's not pop.

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Although some of the melodies
are like they're really catchy

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and the songs are well, hooked.
That's the the songwriters do

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that.
So they got good sensibilities

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there.
So yeah.

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And then we just add, like, you
know, there's a picture of

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Courtney, she adds.
You know, banjo, mandolin.

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Yeah.
Awesome.

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Bluegrass elements, but it's not
bluegrass because it's some

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black and all the things.
So real bluegrass people would

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be really upset.
But we we just like the sounds

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and the textures and the layers
and it just sort of fits

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together.
And so she's.

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Playing that style within your
guys's style of kind of southern

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rock, country, Blues, that's so
cool man.

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I'm going to be a fan for sure.
I I have not heard your music

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yet, but I'm excited about
hearing it.

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And then a lot of this picture,
oh, the amp wall there.

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Yeah, I like the amp wall man.
Obviously, I do too.

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Yeah, yeah.
Now, now studio wise, go back

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one.
Are you recording in Canada?

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Yeah.
They're in their studio right

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now.
Oh.

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Yeah.
Oh, OK, that's right.

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This is the other side of that
wall again.

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Oh, oh, yeah, right on.
I just, I just put that

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together.
Yeah.

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Yeah, that's what I'm looking at
though.

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Yeah, yeah.
Yeah, that's cool.

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Yeah, that we're in and you can
see through the through the

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glass over into the live room
over there, so.

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Very cool.
Couple of different couple of

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different rooms, yeah.
Nice.

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Now is this a home studio or is
this a place that you go, you

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travel to so.
This is my home studio.

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Right on.
Wow.

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I built it onto the side of my
house a few years back.

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Right on.
Yeah.

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I need to step up my game man.
Yeah, come and come and join me

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in debt.
Yeah, right.

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Right, right.
True story.

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So how long have you guys been a
band?

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I think you've been to get to
see.

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I'm going to start doing my my
Scottish accent now because it's

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just, it's just, it's just
weighs on me.

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Or race player with here as
well.

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Roger in in some of those photos
there.

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He's from New Zealand.
So we just have an absolute

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operea.
Ridiculous.

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Not the nation.
Right on.

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We've got all kinds of accents
going on.

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That's fantastic.
I don't know how to say words

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anymore.
Oh dear.

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How long have we been a band?
Yeah.

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It's it's funny that actually
because like they started years

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ago, like we did, the studio is
actually a good conversation

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because I worked in, well, I
work in construction and Adam we

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recording his living room
upstairs, same as what you've

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got going on.
Just put the curtains down, tell

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the kids to be quiet and we're
recorded in the living room.

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And then you build this, this
control room.

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This was the main studio.
This was everything, everything

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squished into this one room.
Drums and guitars.

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Everything.
Yeah, Down.

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There, fellas.
Yeah.

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And then, and then Adam phoned
me one day and he says I'm going

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to put an addition on the House.
Could you bring a a tracker

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around?
So I've like I'm a heavy

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equipment operator and a truck
driver.

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So I loaded the big excavator on
the on the low bed, drove it

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right down his St. here and
started knocking his garage down

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and digging a hole.
And he built the addition

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because he's a Carpenter and he
built the upstairs of the house,

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the big studio and everything.
And it just kind of built from

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there.
And then you've been recording

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and playing and.
We yeah.

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So we've recorded.
We like I was in other bands,

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Steve was in other bands and you
know, we would just get together

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for random things.
You know, I'd have Steve come in

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and do some some session stuff
with guitars for other projects

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that I was working on.
I record music for for syncs as

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well.
So I've got.

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Explain that real quick.
Yeah, yeah, yeah.

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So syncs is like anytime you
you're recording music for

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commercial purposes like TV
commercials, movies, those types

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of things where it's.
Is that your publisher?

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Yeah.
So yeah.

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00:11:38,600 --> 00:11:40,880
OK.
That would be like our BMI or

232
00:11:40,880 --> 00:11:43,320
our ASCAP.
That's Apro.

233
00:11:43,320 --> 00:11:47,680
So a publisher is going to be
taking your songs and actually

234
00:11:47,680 --> 00:11:53,520
selling them to music directors
that work at network studios and

235
00:11:53,520 --> 00:11:58,440
stuff.
I've had songs play on like NBC

236
00:11:58,440 --> 00:12:02,560
and and a bunch of Canadian
networks and no, he'll know, but

237
00:12:02,560 --> 00:12:04,080
that are big up here and stuff
as well.

238
00:12:04,080 --> 00:12:09,280
So, so publisher is going to get
you the placements in in those

239
00:12:09,280 --> 00:12:11,040
types of things.
And then your PR OS are going to

240
00:12:11,240 --> 00:12:13,680
are going to collect based on
how many spins right, that you

241
00:12:13,680 --> 00:12:16,880
get.
But but I write music for for

242
00:12:16,880 --> 00:12:18,840
that.
Don't have Steve come in and and

243
00:12:18,840 --> 00:12:24,440
do session work and whatever I
needed for whatever project.

244
00:12:24,520 --> 00:12:28,360
And then we ended up, I mean,
we, we were working on a bunch

245
00:12:28,360 --> 00:12:30,280
of music, just a lot of solo
stuff.

246
00:12:30,800 --> 00:12:34,200
And I talked to my publisher and
I sent him some demos of some of

247
00:12:34,200 --> 00:12:36,600
this, some of the stuff for, for
Gibson and Co.

248
00:12:36,600 --> 00:12:39,960
And that he was, they were very
excited, we'll just say.

249
00:12:40,600 --> 00:12:45,480
And they commissioned the whole
album sight unseen, just on I

250
00:12:45,480 --> 00:12:47,920
think 2 demos.
I, I sent them and they said,

251
00:12:47,920 --> 00:12:49,600
yeah, 10 songs.
Now we want it.

252
00:12:50,520 --> 00:12:55,840
I want to push this so, so
that's kind of how it started

253
00:12:55,840 --> 00:12:58,160
it.
It wasn't like we didn't set out

254
00:12:58,160 --> 00:13:00,880
to become a band.
We were musicians that we, you

255
00:13:00,880 --> 00:13:04,920
know, we always, we were in
multiple bands, but then it sort

256
00:13:04,920 --> 00:13:07,440
of came.
It's a little flip-flopped.

257
00:13:07,440 --> 00:13:09,800
You know, normally people are a
band and then they'll find a

258
00:13:09,800 --> 00:13:12,320
publisher at some point if if
they're so lucky.

259
00:13:12,320 --> 00:13:16,440
We were just the opposite.
We had a publisher and and then

260
00:13:16,440 --> 00:13:20,240
we became a band.
Yeah, that's cool.

261
00:13:20,520 --> 00:13:22,400
I have your video ghost playing
in the background.

262
00:13:22,400 --> 00:13:24,280
It's silent, obviously, because
I don't want to drown your

263
00:13:24,280 --> 00:13:25,600
conversation out.
But I dig.

264
00:13:25,920 --> 00:13:29,280
I dig the fill of a video if.
That kind of I was totally

265
00:13:29,280 --> 00:13:31,400
listening to your story, and
that's awesome.

266
00:13:31,400 --> 00:13:34,360
And then I was transfixed on
this video that's playing too,

267
00:13:34,360 --> 00:13:39,640
because I love your look, man.
Yeah, you guys nailed it.

268
00:13:40,120 --> 00:13:41,480
Look at that.
They're doing a little a little

269
00:13:41,480 --> 00:13:43,960
band jam right there.
You got the banjo going.

270
00:13:44,440 --> 00:13:46,040
Yeah.
That's that's cool.

271
00:13:46,280 --> 00:13:48,000
Now, now let's talk about the
video.

272
00:13:48,000 --> 00:13:50,120
Is this something you guys came
up with or did you have somebody

273
00:13:50,120 --> 00:13:51,760
else come in and kind of give
you the artist direction?

274
00:13:51,760 --> 00:13:53,480
This is what we're going to do.
This is how we're going to, you

275
00:13:53,480 --> 00:13:55,360
know, storyboard this whole
thing.

276
00:13:55,800 --> 00:13:59,360
No, we did all of it.
We storyboarded everything, got

277
00:13:59,360 --> 00:14:03,200
the venue.
Yeah, we've got a very close

278
00:14:03,200 --> 00:14:04,840
friend.
Well, I guess he's your family.

279
00:14:05,720 --> 00:14:08,760
Yeah.
Who's my videographer and.

280
00:14:09,480 --> 00:14:12,240
Use the photos as well.
So we do everything within our

281
00:14:12,240 --> 00:14:15,040
team.
It's all done in house well.

282
00:14:15,040 --> 00:14:19,040
Kudos to all of those people.
And yeah, specifically the

283
00:14:19,040 --> 00:14:21,200
photographer and the
videographer, because you can

284
00:14:21,200 --> 00:14:24,120
screw that up so easy.
The lighting has to be right.

285
00:14:24,120 --> 00:14:26,520
All this stuff is just so very
well done.

286
00:14:27,000 --> 00:14:28,720
He's very anal about lighting,
yeah.

287
00:14:30,040 --> 00:14:32,440
Well, what the good thing about
that is though, you guys, you

288
00:14:32,440 --> 00:14:35,360
guys control your stuff, which
is good, which which, you know,

289
00:14:36,560 --> 00:14:38,080
especially this day and age,
right.

290
00:14:38,320 --> 00:14:39,840
Yeah, it's.
Nice to have.

291
00:14:40,080 --> 00:14:42,960
I mean, you feel connected to
with the project and then I

292
00:14:43,680 --> 00:14:47,000
don't know, everybody feels like
they like they have something

293
00:14:47,000 --> 00:14:48,960
that they're contributing to the
overall.

294
00:14:49,320 --> 00:14:51,560
Yeah, product, yeah.
Yeah, yeah.

295
00:14:51,840 --> 00:14:53,960
Absolutely every everybody cares
about the end result.

296
00:14:53,960 --> 00:14:56,520
You know, it's not just a job,
it's not just pushing, pushing

297
00:14:57,240 --> 00:15:01,000
out and getting paid.
It's they like, like I said,

298
00:15:01,000 --> 00:15:02,400
family.
It's like a family.

299
00:15:02,480 --> 00:15:04,000
Like it's it's where.
A.

300
00:15:04,760 --> 00:15:09,080
Group we we play together, we
work together, we drink

301
00:15:09,080 --> 00:15:11,800
together.
We, you know, it's good.

302
00:15:12,000 --> 00:15:15,080
It's fun.
No question, you know you, you

303
00:15:15,080 --> 00:15:17,080
share all the same life
experiences.

304
00:15:17,560 --> 00:15:22,320
Exactly how?
So where are you?

305
00:15:22,320 --> 00:15:24,160
Where's everybody from?
Like you?

306
00:15:24,160 --> 00:15:26,160
We got New Zealand, we got
Canada.

307
00:15:26,320 --> 00:15:29,040
Is it, is it just a barrage of
locations?

308
00:15:29,040 --> 00:15:30,080
England.
OK, that's right.

309
00:15:30,080 --> 00:15:31,840
England, yeah.
Yeah.

310
00:15:31,960 --> 00:15:35,960
Yeah, Roger was he?
He was, yeah.

311
00:15:35,960 --> 00:15:38,760
He's from New Zealand.
You're from Newcastle,

312
00:15:39,520 --> 00:15:42,480
Courtney's from Manitoba, I'm
from Saskatchewan, Joel's from

313
00:15:42,480 --> 00:15:44,920
Me and Joel are kind of from
around this area here in

314
00:15:44,920 --> 00:15:47,280
Saskatchewan.
OK.

315
00:15:48,000 --> 00:15:48,600
Is that?
Everyone.

316
00:15:48,600 --> 00:15:50,320
That's everyone.
Do you have any more members?

317
00:15:50,400 --> 00:15:54,120
Yeah, Hiding, I guess.
PR the video from South Africa.

318
00:15:54,120 --> 00:15:54,920
South Africa.
Yeah.

319
00:15:55,400 --> 00:15:57,120
Oh, this This video is in South
Africa.

320
00:15:57,960 --> 00:16:00,440
No, no videographers from South
Africa.

321
00:16:00,600 --> 00:16:01,920
Oh.
OK, OK.

322
00:16:01,920 --> 00:16:06,720
This is very much Saskatchewan.
Yeah, this is like 10 Mile Rd.

323
00:16:06,720 --> 00:16:09,160
kind of thing.
That just yeah, that scream.

324
00:16:09,160 --> 00:16:12,480
Saskatchewan there, hey.
And this is moonshine.

325
00:16:12,760 --> 00:16:15,840
Yeah, yeah, right.
That's the last thing that went

326
00:16:15,840 --> 00:16:16,520
out.
Yeah.

327
00:16:16,560 --> 00:16:18,840
Radio Car.
This video only come out like 2

328
00:16:18,840 --> 00:16:20,480
weeks ago I think.
Oh cool.

329
00:16:21,240 --> 00:16:22,360
Yeah, pretty new.
Yeah, right.

330
00:16:22,640 --> 00:16:27,480
On So you guys are getting radio
play like across Canada then,

331
00:16:27,480 --> 00:16:28,920
yeah.
Yeah, yeah.

332
00:16:32,920 --> 00:16:35,080
Don't play too much of that or
we'll get pulled.

333
00:16:35,200 --> 00:16:37,200
I know, I know, I know.
I got.

334
00:16:38,000 --> 00:16:39,880
Just get a royalty for it, it's
fine.

335
00:16:40,800 --> 00:16:43,480
But no, dude, we can shut down,
man, when we try to showcase

336
00:16:43,480 --> 00:16:45,920
bands like this and try to show
you your music.

337
00:16:46,280 --> 00:16:47,760
Yeah, YouTube.
Here's a quick.

338
00:16:47,760 --> 00:16:51,400
Example, we had a guy named Joe
Altier on here and Joe,

339
00:16:51,920 --> 00:16:54,560
hopefully you get an e-mail and
you can sign off on it.

340
00:16:54,560 --> 00:16:59,840
But Spotify sent me a cease and
desist and then I sent them an

341
00:16:59,840 --> 00:17:02,240
explanation.
I had to do an appeal that's

342
00:17:02,240 --> 00:17:05,319
going to go to Joe's publisher
who's got to get in contact with

343
00:17:05,319 --> 00:17:07,359
him.
And I'm sure it's going to be

344
00:17:07,359 --> 00:17:10,680
fine because he was on the show.
But that's the process.

345
00:17:10,680 --> 00:17:13,560
Even though you guys are sitting
here saying it's OK, your

346
00:17:13,560 --> 00:17:16,319
publisher doesn't say it's OK
and neither does YouTube.

347
00:17:16,920 --> 00:17:19,440
Well, thanks APM.
Yeah, and.

348
00:17:19,520 --> 00:17:21,640
No, right.
But it's messed up because.

349
00:17:22,520 --> 00:17:24,599
Just take your take your
royalty, yeah.

350
00:17:25,839 --> 00:17:27,680
But but, but think, but think
about it.

351
00:17:27,680 --> 00:17:30,440
OK, so we're in 27 countries and
when we do the show right now,

352
00:17:30,440 --> 00:17:31,640
we're live.
OK, so we're live.

353
00:17:31,640 --> 00:17:33,120
Right.
We're not monetized either.

354
00:17:33,520 --> 00:17:35,560
Right, right.
So all those, all those

355
00:17:35,560 --> 00:17:38,920
countries that could be watching
us right now, we could be

356
00:17:38,920 --> 00:17:41,920
showcasing your music and
driving them to go to your

357
00:17:41,920 --> 00:17:45,040
YouTube channel, go to Spotify,
go to Apple Music, wherever and

358
00:17:45,040 --> 00:17:47,800
buy your stuff, right?
That's the whole point.

359
00:17:47,800 --> 00:17:50,200
Like in our musicians, we, you
know, we were in a band, all

360
00:17:50,200 --> 00:17:52,400
that kind of jazz, we had
development deals with labels,

361
00:17:52,400 --> 00:17:54,200
everything.
So we've been there, done that.

362
00:17:54,200 --> 00:17:55,800
So it's, you know, it's the
brotherhood of music.

363
00:17:55,800 --> 00:17:57,160
We're sitting here talking to
you guys.

364
00:17:57,720 --> 00:18:01,560
So our whole thing is let's
let's help push these bands out

365
00:18:01,560 --> 00:18:03,440
to the forefront.
Let's help promote them, let's

366
00:18:03,440 --> 00:18:05,360
help them.
Like we, we have a label that

367
00:18:05,360 --> 00:18:07,680
just feeds us artists now
because they like how we do

368
00:18:07,680 --> 00:18:13,160
this, but it sucks because every
time we'll play a song or do

369
00:18:13,160 --> 00:18:16,240
anything that's that's music
related and we allow that to

370
00:18:16,240 --> 00:18:19,040
bleed through the, the show, we
get shut down.

371
00:18:19,040 --> 00:18:21,120
Like YouTube will block that
content.

372
00:18:21,120 --> 00:18:24,200
They'll they'll erase it.
I've appealed stuff too and it's

373
00:18:24,200 --> 00:18:26,480
come back and they're just like
middle finger not going to

374
00:18:26,480 --> 00:18:28,960
happen.
It's it's ridiculous because all

375
00:18:28,960 --> 00:18:33,640
we're doing is pushing you out.
We're we're pumping you up and.

376
00:18:34,760 --> 00:18:38,480
So what we need and our
responsibility in this is we

377
00:18:38,480 --> 00:18:43,120
need a middle man between your
publisher and us, just like you

378
00:18:43,120 --> 00:18:45,120
have your publisher to protect
your music.

379
00:18:45,360 --> 00:18:49,160
I'm a ASCAT member myself, so I
understand.

380
00:18:49,160 --> 00:18:52,680
I want to get paid as well.
But what we need, Chris and I,

381
00:18:52,680 --> 00:18:56,200
is a middle man between you and
your publisher to Duke it out

382
00:18:56,480 --> 00:18:58,840
behind the scenes before that
ever happens.

383
00:18:59,080 --> 00:19:02,240
So you get your money, we get
our money and everybody's happy.

384
00:19:02,480 --> 00:19:05,240
Because where our situation is a
little different, usually

385
00:19:05,240 --> 00:19:10,000
publishers quite often are, are
just doing, they're doing

386
00:19:10,000 --> 00:19:12,160
commercial music, they're
working with composers, not

387
00:19:12,280 --> 00:19:16,280
artists and bands.
So we have a, a deal where like

388
00:19:16,280 --> 00:19:19,840
they, their, their realm is
anything that's sync license

389
00:19:19,840 --> 00:19:23,880
related.
And then anything that we do as

390
00:19:23,880 --> 00:19:29,440
far as like, you know, radio
and, and Spotify and all that

391
00:19:29,440 --> 00:19:31,800
stuff is all controlled by us as
the artists.

392
00:19:31,800 --> 00:19:35,400
So they don't actually like,
they don't do any of the

393
00:19:35,400 --> 00:19:37,560
streaming stuff.
They don't do any of the YouTube

394
00:19:37,560 --> 00:19:39,320
Music.
They don't do any of that kind

395
00:19:39,320 --> 00:19:40,200
of stuff.
That's us.

396
00:19:40,520 --> 00:19:44,680
So in your case, you might be a
great test example of what Chris

397
00:19:44,680 --> 00:19:47,240
was just talking about.
So that little bit of music that

398
00:19:47,240 --> 00:19:50,680
he played will probably be
enough to trigger something.

399
00:19:50,960 --> 00:19:53,960
When he sends you an appeal,
it's going to come right to you

400
00:19:53,960 --> 00:19:56,680
so you guys can communicate
through text or whatever.

401
00:19:56,880 --> 00:19:59,320
Let's I would be curious to see
how this plays out.

402
00:19:59,520 --> 00:20:02,560
Interesting because.
Actually play another one of

403
00:20:02,560 --> 00:20:04,280
their.
Songs just so that's what I was

404
00:20:04,280 --> 00:20:07,800
going to do.
That's no, I was that's exactly

405
00:20:07,800 --> 00:20:09,480
I'm going to go back.
I'm going to go back to the

406
00:20:09,480 --> 00:20:10,680
page.
Hold on.

407
00:20:10,800 --> 00:20:14,600
And I'm glad, thank you, Adam,
for explaining that because you

408
00:20:14,600 --> 00:20:17,320
could see it wasn't going
through my thick skull that you

409
00:20:17,320 --> 00:20:20,200
are controlling your own stuff.
So thank you for pushing that

410
00:20:20,200 --> 00:20:22,000
through.
How you Otherwise we wouldn't be

411
00:20:22,000 --> 00:20:26,000
allowed to use our music in that
video for example.

412
00:20:26,000 --> 00:20:28,040
The publisher has nothing to do
with that video being OK.

413
00:20:29,600 --> 00:20:33,480
OK there we go they will make
money off of it.

414
00:20:34,000 --> 00:20:37,760
Aren't they getting their lit?
Their portion and we want you to

415
00:20:37,760 --> 00:20:39,360
make money and we want to make
money.

416
00:20:39,360 --> 00:20:42,520
We want to make everybody happy.
We just trying to do the right

417
00:20:42,520 --> 00:20:45,120
thing, like Chris said, is
getting us flagged all the time.

418
00:20:45,440 --> 00:20:48,280
Well, let's let it RIP.
Yeah, so here.

419
00:20:48,320 --> 00:20:52,400
So here's, so here's so so let's
watch about 15 seconds of

420
00:20:52,400 --> 00:20:55,640
moonshine so we can have it just
on the on the clip and see what

421
00:20:55,640 --> 00:20:56,200
happens.
Yeah.

422
00:20:57,800 --> 00:20:59,640
Go through.
Go through the chorus.

423
00:21:00,720 --> 00:21:02,760
Turn it up a little bit.
OK.

424
00:21:08,400 --> 00:21:10,480
We like the planes and a raging
fire.

425
00:21:10,480 --> 00:21:23,910
We light it up, make the noise
if you make the moon shine.

426
00:21:35,410 --> 00:21:43,090
Singing right along to a radio
song That I can change you.

427
00:21:43,130 --> 00:21:46,170
Every kiss I'm stealing from
your lips.

428
00:21:46,650 --> 00:21:50,200
The sun has been out on fire in
the sky.

429
00:21:50,600 --> 00:21:57,880
Bill Gates down and the nights
coming alive like sun goes back

430
00:21:57,960 --> 00:22:03,760
in time baby.
They're making his story like a

431
00:22:03,760 --> 00:22:09,920
planes in a raging fire.
We lighted up like gasoline.

432
00:22:10,240 --> 00:22:23,640
Times are coming up.
I like it, Singer.

433
00:22:24,200 --> 00:22:28,880
This is on the guitar solo, man,
Did you see how quick that

434
00:22:28,880 --> 00:22:30,000
happened?
Did you see how quick that

435
00:22:30,000 --> 00:22:33,440
happened?
I wasn't I?

436
00:22:33,440 --> 00:22:36,000
Wasn't intentionally dissing on
the guitar sole.

437
00:22:36,000 --> 00:22:37,840
I just, I just wanted, I wanted
to go.

438
00:22:37,840 --> 00:22:39,880
Guys playing his heart out and
you're looking at.

439
00:22:42,160 --> 00:22:43,720
Him.
There you go.

440
00:22:43,720 --> 00:22:44,720
There you go.
There you go.

441
00:22:53,360 --> 00:22:56,920
I love this guy.
It wasn't a purpose, man.

442
00:22:57,000 --> 00:22:59,720
I know man.
I dig it though.

443
00:22:59,720 --> 00:23:01,000
I dig it.
I like it, man.

444
00:23:01,080 --> 00:23:03,000
That's the one of the things
that Mike and I like to do.

445
00:23:03,000 --> 00:23:07,440
We don't we we don't really like
to to researchers come on the

446
00:23:07,440 --> 00:23:09,720
show because we want everything
to be real, raw and organic.

447
00:23:09,720 --> 00:23:12,240
So the reactions that we're
having is legit reactions.

448
00:23:12,240 --> 00:23:14,720
This is the first time we're
hearing the music, which to me

449
00:23:14,720 --> 00:23:17,440
now you're all on Apple Podcast,
Spotify, all that kind of stuff,

450
00:23:17,440 --> 00:23:19,520
right?
Or not Apple Podcast, but iTunes

451
00:23:19,520 --> 00:23:21,480
and stuff.
Yeah, all those.

452
00:23:21,480 --> 00:23:23,320
Things cool, cool.
So you're going to see some

453
00:23:23,320 --> 00:23:26,560
purchases in Arizona, man,
because because I like it and I

454
00:23:26,560 --> 00:23:28,200
don't fuck around with just one
song.

455
00:23:28,200 --> 00:23:31,680
I'll buy the album because I'm
that guy, because I'd rather be

456
00:23:31,680 --> 00:23:34,360
able to to get the whole album
because the little Nuggets,

457
00:23:34,360 --> 00:23:38,520
right, You only released a few
songs and and you end up finding

458
00:23:38,520 --> 00:23:41,760
some really cool music if you
buy the whole album.

459
00:23:41,760 --> 00:23:45,680
At least I found that way.
So I like, I like buying the

460
00:23:45,680 --> 00:23:48,520
whole thing and checking it out
and say, OK, cool, you know, and

461
00:23:48,520 --> 00:23:49,920
you just kind of go from there.
So.

462
00:23:50,280 --> 00:23:52,000
I like you guys a sound a lot,
man.

463
00:23:52,200 --> 00:23:52,760
Very cool.
Yeah.

464
00:23:53,400 --> 00:23:58,200
Yeah.
So yeah, for sure you could tell

465
00:23:58,200 --> 00:24:01,200
Steve's duty or heavy machinery
operator.

466
00:24:01,560 --> 00:24:03,160
Yeah.
Is that what I was going to ask?

467
00:24:03,160 --> 00:24:05,280
Who's the response for the stuff
in the background?

468
00:24:05,800 --> 00:24:10,040
Whose truck was that?
And all, all them hoes in the

469
00:24:10,040 --> 00:24:11,520
house in the back there.
Yeah.

470
00:24:13,640 --> 00:24:16,600
I was just like, Yep, I'm
setting these up, yeah.

471
00:24:17,680 --> 00:24:19,880
That's right on.
I figured it was, it was

472
00:24:19,880 --> 00:24:22,720
personal.
You know how somehow you knew

473
00:24:22,720 --> 00:24:25,720
somebody had the, the, the back
hose in the in the truck in the

474
00:24:25,720 --> 00:24:27,640
distance with the lights on and
shit like that.

475
00:24:27,640 --> 00:24:28,480
So that's.
Literally.

476
00:24:28,640 --> 00:24:31,680
Yeah, the video was outstanding.
Crushes rocking, crushing,

477
00:24:31,720 --> 00:24:33,600
rocking it and then.
We set up.

478
00:24:33,600 --> 00:24:36,360
And then we set up and then it
rained right before so.

479
00:24:37,120 --> 00:24:38,320
Right.
Oh, that's perfect.

480
00:24:38,400 --> 00:24:40,920
Absolutely.
It's perfect that it rained

481
00:24:40,920 --> 00:24:42,920
before.
There's nothing wrong with that.

482
00:24:43,160 --> 00:24:46,560
Yeah, the drums were sinking
into the slowly outside.

483
00:24:47,160 --> 00:24:49,720
Really.
No shit.

484
00:24:50,120 --> 00:24:52,840
It was super.
That's that's fantastic, man.

485
00:24:53,320 --> 00:24:54,760
Yeah.
So here's a little bit more

486
00:24:54,760 --> 00:24:57,440
about the bandage you guys are
talking for the those of you and

487
00:24:57,440 --> 00:24:59,640
us.
I like the, I like the word

488
00:24:59,640 --> 00:25:00,640
stellar.
Good job.

489
00:25:00,640 --> 00:25:02,160
I like saying stellar all the
time.

490
00:25:02,160 --> 00:25:04,360
So I appreciate you have stellar
musicians in there.

491
00:25:04,600 --> 00:25:06,080
One of my favorite words as
well.

492
00:25:06,840 --> 00:25:08,440
Right on Stellar.
Stellar, even.

493
00:25:08,680 --> 00:25:11,080
Noticed that before.
You're the drum, Adam.

494
00:25:11,480 --> 00:25:12,440
Yeah, I am.
Yeah.

495
00:25:13,160 --> 00:25:14,600
How long have you been playing
drums?

496
00:25:14,800 --> 00:25:20,120
Oh boy.
The 20, the 2030.

497
00:25:20,160 --> 00:25:22,080
Thirty years, maybe.
What's your kid?

498
00:25:23,200 --> 00:25:26,760
So it's a a sort of a
Frankenstein's monster at this

499
00:25:26,760 --> 00:25:29,160
point of, of drums.
I love it.

500
00:25:29,640 --> 00:25:33,120
I actually have a set of, you
know, the company D drum.

501
00:25:33,720 --> 00:25:37,480
Oh yeah, yeah.
OK, so I bought a set of ash D

502
00:25:37,480 --> 00:25:39,560
drum shells back in like 2000.
I.

503
00:25:39,560 --> 00:25:42,120
Love ash.
My favorite guitar is made out

504
00:25:42,120 --> 00:25:43,760
of swamp ash.
Oh, nice.

505
00:25:44,680 --> 00:25:47,600
So I bought these shells and
this was back when D drum was

506
00:25:47,600 --> 00:25:50,200
like they they're better now,
like they've gone through some

507
00:25:50,200 --> 00:25:52,880
company changes, but this was
back before they had quality

508
00:25:52,880 --> 00:25:56,680
control and so they were were
really horrible.

509
00:25:56,680 --> 00:26:00,560
The bearing edges were all over
the place and Long story short,

510
00:26:00,560 --> 00:26:05,640
I learned to like regrind edges
and and do a bunch of work on

511
00:26:05,640 --> 00:26:08,760
shells.
And so I, I, I did a ton of work

512
00:26:08,760 --> 00:26:11,920
to get the, the the bearing
edges just how I wanted them.

513
00:26:12,120 --> 00:26:15,440
Made them a little bit more
rounded over like Ludwigs drums,

514
00:26:15,440 --> 00:26:18,160
a little bit more than the sharp
this is.

515
00:26:18,440 --> 00:26:20,800
If any drummers are listening,
they'll appreciate this.

516
00:26:21,400 --> 00:26:23,440
You guys, maybe not.
I know what you're talking about

517
00:26:23,440 --> 00:26:25,320
for sure.
Yeah, so it activates a little

518
00:26:25,320 --> 00:26:27,360
bit more the ash shell with the
rounder.

519
00:26:27,360 --> 00:26:30,040
There's a little bit more
contact surface on the on on the

520
00:26:30,040 --> 00:26:32,280
on the brains.
So anyway, I I did a bunch of

521
00:26:32,280 --> 00:26:34,240
work on the shells to make them
sound really good.

522
00:26:34,240 --> 00:26:36,920
And my kick is is huge.
If you saw in that video, it's a

523
00:26:36,920 --> 00:26:38,640
24 by 20.
That's.

524
00:26:38,640 --> 00:26:40,320
Why?
I was asking about your kit for

525
00:26:40,360 --> 00:26:42,720
sure.
Absolute cannon.

526
00:26:44,120 --> 00:26:47,600
So yeah.
So that's that's what I use for

527
00:26:47,600 --> 00:26:49,840
my, my shells, just one up, one
down.

528
00:26:50,320 --> 00:26:56,240
And then I use my main snare
that I use is a is a Tama and

529
00:26:56,240 --> 00:27:02,160
it's it's a 6 1/2 by 14 and it's
a a walnut.

530
00:27:03,920 --> 00:27:07,440
So it's a yeah, it's just a nice
absolute shotgun of a of a

531
00:27:07,440 --> 00:27:10,320
snare.
And I put like, yeah, and I put

532
00:27:10,320 --> 00:27:15,240
like those like 24 band or 24
string snares on the bottom,

533
00:27:15,560 --> 00:27:19,200
real snappy, sizzly, because I
like that big.

534
00:27:19,480 --> 00:27:23,880
You'll hear it in the recording.
Big shotgun, massive snare.

535
00:27:24,240 --> 00:27:25,640
That's why I'm asking these
questions.

536
00:27:25,640 --> 00:27:28,480
I've recorded a lot of really
good drums and a lot of really

537
00:27:28,480 --> 00:27:32,840
bad drums.
Mino visance symbols I'm I'm a

538
00:27:32,960 --> 00:27:37,720
fan of Minos except for my I've
got a crope Zilchen ride with a

539
00:27:37,720 --> 00:27:40,240
really tiny bell which is real
washy and.

540
00:27:41,000 --> 00:27:43,680
That's what I like to.
I hate that Ting Ting.

541
00:27:43,840 --> 00:27:45,680
I secretly wanted to be a
drummer.

542
00:27:46,120 --> 00:27:50,360
So then I just started kind of
asking my drummer to do all

543
00:27:50,360 --> 00:27:53,080
these things that I heard in my
head that he wanted to do

544
00:27:53,080 --> 00:27:55,120
anyway.
Like he always laughed and said,

545
00:27:55,120 --> 00:27:57,240
you're the first guitar player
that ever asked me to play

546
00:27:57,240 --> 00:28:01,440
harder and more, right?
I'm like, yeah, but I, I wanted

547
00:28:01,440 --> 00:28:05,360
to be a drummer.
Yeah, that's awesome.

548
00:28:05,960 --> 00:28:08,440
But my wanting to do so and my
ability for.

549
00:28:08,640 --> 00:28:11,800
Different, I've got a few
different iterations that

550
00:28:11,800 --> 00:28:14,880
depending on what I'm recording
in the studio, I'll I'll break

551
00:28:14,880 --> 00:28:18,120
out, but that's kind of my,
that's my go to.

552
00:28:18,240 --> 00:28:20,400
I love the sound and the feel of
it so.

553
00:28:21,120 --> 00:28:24,880
And for Steve, the Telecaster
was my favorite in that first

554
00:28:24,880 --> 00:28:27,520
video that we were watching
without sound.

555
00:28:27,560 --> 00:28:31,480
That telly is bad ass dude.
Yeah, 62 Bigsby.

556
00:28:31,600 --> 00:28:33,080
Yeah.
Beautiful.

557
00:28:33,080 --> 00:28:36,040
Yeah.
Just the the top, the finish,

558
00:28:36,040 --> 00:28:38,480
it's it stands out.
There was a couple times I was

559
00:28:38,480 --> 00:28:40,560
fixated on that while Adam was
talking.

560
00:28:40,560 --> 00:28:43,080
I'm not going to lie.
I think the three.

561
00:28:43,080 --> 00:28:47,880
Tom Sunburst, Yeah.
Me too, yeah.

562
00:28:48,000 --> 00:28:50,640
It just screams.
You better be a good player,

563
00:28:50,640 --> 00:28:52,880
which you are.
You know, if you're if, if

564
00:28:52,880 --> 00:28:55,040
you're going to manhandle that
thing, you better be able to

565
00:28:55,040 --> 00:28:57,000
make it sing.
And you definitely do that for

566
00:28:57,000 --> 00:28:57,920
sure.
Nice.

567
00:28:57,920 --> 00:29:04,560
Thank you.
What are you looking at back

568
00:29:04,560 --> 00:29:07,200
there?
I'm, I'm, I'm dropping a review

569
00:29:07,200 --> 00:29:09,880
for Gibson and company on their
on their Facebook page because I

570
00:29:09,880 --> 00:29:12,000
only have two and, and now that
we've talked to them and

571
00:29:12,000 --> 00:29:14,400
listened to their music, I can,
I can honestly do a badass

572
00:29:14,400 --> 00:29:19,720
review for them.
Yeah, I like.

573
00:29:19,720 --> 00:29:22,120
Keep talking.
I like that organic too, man.

574
00:29:22,120 --> 00:29:25,760
I'm, I'm sorry I didn't listen.
I liked you guys on Facebook and

575
00:29:25,760 --> 00:29:27,960
you were one of the ones that I
was like, I got to go back and

576
00:29:27,960 --> 00:29:30,600
check those guys out because I
liked your logo.

577
00:29:30,600 --> 00:29:32,600
I liked your sound or not your
sound.

578
00:29:32,600 --> 00:29:35,760
I liked your look and your logo
of, you know, with the skull in

579
00:29:35,760 --> 00:29:39,640
the background.
And I just like Chris said, we'd

580
00:29:39,640 --> 00:29:42,400
started getting inundated with
people that wanted to be on the

581
00:29:42,400 --> 00:29:47,160
show somewhere around June.
And probably that's about the

582
00:29:47,160 --> 00:29:52,080
time that I liked you guys on
Facebook and then ended up

583
00:29:52,080 --> 00:29:54,280
getting in contact with you.
And I just never heard your

584
00:29:54,280 --> 00:29:56,080
music.
So it's really cool to hear it

585
00:29:56,080 --> 00:29:58,240
while you guys are here because
you're getting an honest

586
00:29:58,240 --> 00:29:59,480
reaction.
Yeah.

587
00:30:01,360 --> 00:30:02,600
Yeah, we would tell you if it
sucked.

588
00:30:02,720 --> 00:30:04,040
I never lied a.
Musician.

589
00:30:04,280 --> 00:30:08,000
I just don't.
I would, I'd say, you know, I

590
00:30:08,080 --> 00:30:09,120
mean.
Good luck sounds.

591
00:30:09,920 --> 00:30:14,680
Good, I like it.
Well, I'm glad that you picked

592
00:30:14,720 --> 00:30:18,560
up on that for sure, because one
of the things that you in like

593
00:30:18,560 --> 00:30:22,680
that I do in the studio is I, I
never, I never use loops.

594
00:30:23,200 --> 00:30:25,120
I never use other people's
samples.

595
00:30:26,520 --> 00:30:30,200
Anytime I'm doing synth work, I,
I don't just cycle through

596
00:30:30,200 --> 00:30:36,120
presets.
I build a, I build a sound for

597
00:30:36,120 --> 00:30:40,720
that every single time.
Like if, yeah, if, if we need

598
00:30:40,800 --> 00:30:43,560
one of the, oh, maybe not ours,
but for collect assembly.

599
00:30:43,560 --> 00:30:48,480
We're in another band as well.
You know, we have this real

600
00:30:48,480 --> 00:30:51,320
spaghetti western kind of thing
going on and we wanted a whip

601
00:30:51,320 --> 00:30:58,200
craft and we got a whip.
Found somebody that we lent us a

602
00:30:58,200 --> 00:31:02,640
bull whip and we took it outside
and strung a microphone out into

603
00:31:02,640 --> 00:31:06,320
the backyard.
YouTube how to crack a whip

604
00:31:06,320 --> 00:31:11,400
because we were almost killing
ourselves every time and there's

605
00:31:11,400 --> 00:31:13,920
a real technique to it.
Honestly, the people that do it,

606
00:31:13,920 --> 00:31:16,080
it's impressive, but we had,
yeah, we figured out how to

607
00:31:16,080 --> 00:31:19,080
crack a whip and we recorded
ourselves cracking a whip

608
00:31:19,200 --> 00:31:20,600
instead of just downloading this
I.

609
00:31:21,480 --> 00:31:22,560
Love it.
That's yeah.

610
00:31:22,760 --> 00:31:25,800
Everything is maybe you make you
made me think of Devo man, crack

611
00:31:25,800 --> 00:31:30,080
that whip.
Even that even thought I.

612
00:31:30,280 --> 00:31:34,000
Just I just dated myself, right?
No, I was with you.

613
00:31:34,640 --> 00:31:35,480
OK.
OK.

614
00:31:36,680 --> 00:31:41,880
How old are you guys?
Oh, I am 37, I believe, Yeah.

615
00:31:42,400 --> 00:31:45,360
OK.
Oh, you're young man, 40.

616
00:31:45,440 --> 00:31:50,160
Yeah. 05250. 5555 Gen.
X.

617
00:31:51,120 --> 00:31:53,480
Yeah, there you go.
Gen.

618
00:31:53,480 --> 00:31:55,840
X yeah brother fucking a man.
Rock'n'roll.

619
00:31:56,680 --> 00:31:59,440
That's the fucking lutely.
We're we've talked about it

620
00:31:59,440 --> 00:32:01,720
before.
We're the generation that that

621
00:32:01,720 --> 00:32:04,280
actually, when you saw the band
live was the first time you

622
00:32:04,280 --> 00:32:06,960
actually saw them live.
Like you didn't have the social

623
00:32:06,960 --> 00:32:09,400
media.
All you had was the vinyl jacket

624
00:32:09,400 --> 00:32:12,640
or the cassette tape, you know,
jacket and you could kind of

625
00:32:12,640 --> 00:32:15,520
like, oh, or in the magazines,
the hip Raiders and all that

626
00:32:15,520 --> 00:32:16,920
shit.
Then when you actually saw them

627
00:32:16,920 --> 00:32:19,360
live, it was like one of those
moments where, you know, the

628
00:32:19,360 --> 00:32:22,520
lights go down and, and the
energy, you can feel it in the

629
00:32:22,520 --> 00:32:24,080
crowd.
Everybody's like rising to their

630
00:32:24,080 --> 00:32:25,640
seats.
They start cheering and, you

631
00:32:25,640 --> 00:32:27,480
know, lights come on.
Oh, there's the band.

632
00:32:27,480 --> 00:32:30,200
And it's just like.
What?

633
00:32:30,200 --> 00:32:32,280
And everyone was watching you
and not.

634
00:32:32,520 --> 00:32:35,000
Yes, yes, for.
Sure.

635
00:32:35,680 --> 00:32:38,360
Yeah, I wish I had a lighter
because that's what you saw was

636
00:32:38,360 --> 00:32:42,520
lighter, right.
And I, I don't think Chris,

637
00:32:42,520 --> 00:32:46,160
there you go.
You saw 10,000 of those.

638
00:32:46,680 --> 00:32:51,280
Yeah, yeah.
And the cool thing, like I guess

639
00:32:51,280 --> 00:32:53,800
until you said that, man, I just
never thought about this.

640
00:32:53,800 --> 00:32:57,360
Like, so him and I are from that
generation and you guys are from

641
00:32:57,360 --> 00:33:00,800
the next generation.
That was that just That's never

642
00:33:00,800 --> 00:33:03,520
going to happen for anybody
younger than us, you know?

643
00:33:03,800 --> 00:33:05,960
Right.
No, the millennial generation

644
00:33:05,960 --> 00:33:10,400
was the one that was in between.
So some, you know, you had some

645
00:33:10,400 --> 00:33:14,000
analog and some digital so.
I would put you guys in the same

646
00:33:14,000 --> 00:33:18,200
generation as us as millennials,
only because you really couldn't

647
00:33:18,200 --> 00:33:21,200
download very much quality video
back then, you know?

648
00:33:21,200 --> 00:33:23,080
Definitely not in Saskatchewan
either.

649
00:33:23,360 --> 00:33:27,320
Not here either, trust me.
We were still like, yeah.

650
00:33:28,000 --> 00:33:31,920
But Netflix was mailing out DVDs
in the early 2000s, so the

651
00:33:31,920 --> 00:33:34,720
Internet was not ready for
streaming, no.

652
00:33:34,880 --> 00:33:37,520
Yeah, for sure.
If you were watching porn, it

653
00:33:37,520 --> 00:33:40,120
took you like 1/2 hour to get a
2 minute download.

654
00:33:40,120 --> 00:33:45,360
I'm gonna go take a shower and
make a steak and I'll be back in

655
00:33:45,360 --> 00:33:46,560
my video.
I'll be ready at that.

656
00:33:46,680 --> 00:33:49,560
Point you're on the mood anymore
Exactly.

657
00:33:49,560 --> 00:33:51,160
You know, there's something more
productive.

658
00:33:52,080 --> 00:33:56,840
I go play my guitar.
Play guitar.

659
00:33:57,600 --> 00:33:59,560
That's funny.
Where's this at?

660
00:34:01,120 --> 00:34:05,120
This was in my hometown, well,
where I live now, Theatre

661
00:34:05,120 --> 00:34:07,800
Saskatchewan.
It's just, that's another thing

662
00:34:07,800 --> 00:34:10,360
why the studio worked so well.
It's 5 minutes down the road for

663
00:34:10,360 --> 00:34:12,199
me.
That's very convenient.

664
00:34:12,440 --> 00:34:14,880
So yeah.
So we this was like our debut

665
00:34:14,880 --> 00:34:19,000
show when word got out there we
were starting a new band.

666
00:34:19,000 --> 00:34:21,120
So.
Yeah, this was the first, the

667
00:34:21,120 --> 00:34:26,320
first hometown, hometown show
kind of CD release party thing

668
00:34:26,320 --> 00:34:28,560
that we did.
How many people did you get to

669
00:34:28,560 --> 00:34:33,120
come out to that?
A small town, maybe What, 400?

670
00:34:34,120 --> 00:34:36,159
This is not bad.
It's in the town that's good.

671
00:34:36,159 --> 00:34:37,679
For a small town, yeah.
Yeah.

672
00:34:38,400 --> 00:34:40,880
Town has like 500 people in it.
Yeah, exactly.

673
00:34:41,080 --> 00:34:44,040
That's why I asked the question,
because I'm I'm from a way

674
00:34:44,040 --> 00:34:47,199
bigger town than that, but
relatively small, like 1012

675
00:34:47,199 --> 00:34:48,880
thousand people.
OK, Yeah.

676
00:34:49,159 --> 00:34:51,800
Yeah, when we would have one or
two local bands, if we were

677
00:34:51,800 --> 00:34:55,040
lucky enough at the time when I
was a kid growing up, you would

678
00:34:55,040 --> 00:34:57,960
easily get a couple 100 people.
Mm, hmm, yeah.

679
00:34:58,560 --> 00:35:01,160
On a Saturday night, 2300 kids
would show up.

680
00:35:01,480 --> 00:35:04,760
Yeah.
Yeah, and by kids, I mean

681
00:35:04,760 --> 00:35:06,320
teenagers.
Yeah, yeah.

682
00:35:08,040 --> 00:35:09,600
Just want the party.
Hopefully the.

683
00:35:09,840 --> 00:35:11,640
Yeah.
Just with a little bit of

684
00:35:11,840 --> 00:35:14,760
spendable income.
Right.

685
00:35:15,720 --> 00:35:16,160
We sold.
Them.

686
00:35:16,160 --> 00:35:17,360
So how many albums?
How many albums?

687
00:35:17,360 --> 00:35:18,520
How many albums do you guys
have?

688
00:35:19,640 --> 00:35:21,680
Or this one, just one for
Gibson.

689
00:35:21,680 --> 00:35:23,000
OK.
Just for Gibson Company 1 and

690
00:35:23,000 --> 00:35:25,000
that's ghost.
And ghost, yeah.

691
00:35:25,600 --> 00:35:28,040
I like the name.
And and that came out when?

692
00:35:28,960 --> 00:35:31,200
And well, what?
How do I answer that?

693
00:35:31,200 --> 00:35:33,680
It's not technically Oh.
Yeah, March.

694
00:35:33,680 --> 00:35:34,120
Oh.
OK.

695
00:35:34,200 --> 00:35:39,240
Oh, OK, OK.
It's it's out by our publisher,

696
00:35:39,360 --> 00:35:44,000
so it's getting like, so I think
what was it one of the songs on

697
00:35:44,000 --> 00:35:45,720
it?
What's your excuse if you are

698
00:35:45,720 --> 00:35:50,880
listening back in like August or
something?

699
00:35:51,840 --> 00:35:55,240
It played on some like Yankees
games and stuff on MLB.

700
00:35:55,480 --> 00:35:58,840
Not so like, like, so it's it's
it's out.

701
00:36:00,360 --> 00:36:03,720
Yeah, there you go.
Yeah, it's it's out.

702
00:36:03,720 --> 00:36:05,840
But it's not like we haven't
released it.

703
00:36:05,840 --> 00:36:09,880
So we're slow rolling like the
digital releases and kind of put

704
00:36:09,880 --> 00:36:13,360
in the loop the time and at
least to kind of, you know, get

705
00:36:13,360 --> 00:36:16,560
some music videos together and
stuff and sort of, I don't know,

706
00:36:16,560 --> 00:36:17,720
we're playing with it a little
bit.

707
00:36:19,160 --> 00:36:21,720
Yeah, it is.
It's out and not at the same

708
00:36:21,720 --> 00:36:25,280
time.
So so when I so but when I, when

709
00:36:25,280 --> 00:36:28,040
I go to iTunes and I look you
up, what am I gonna be able to

710
00:36:28,040 --> 00:36:29,360
buy?
Am I gonna buy the whole album

711
00:36:29,360 --> 00:36:32,000
as a pre-order and just get a
couple of the singles that are

712
00:36:32,000 --> 00:36:34,760
released or what?
That's a good question.

713
00:36:34,760 --> 00:36:36,200
Yeah, I don't think.
Find out.

714
00:36:36,600 --> 00:36:39,200
Yeah, yeah, definitely.
Oh, he beat me to it.

715
00:36:39,200 --> 00:36:42,800
I was gonna do it too.
Definitely find out and tell and

716
00:36:42,800 --> 00:36:45,440
tell us what we should be doing.
OK, I will.

717
00:36:45,440 --> 00:36:46,200
I will.
I will.

718
00:36:46,200 --> 00:36:49,720
Because we got we got Dave
Nudo's marketing manager to have

719
00:36:49,720 --> 00:36:53,480
him rerecord his, his fucking
amazing song on the Lord of the

720
00:36:53,480 --> 00:36:54,240
Devil.
Yeah.

721
00:36:54,240 --> 00:36:55,760
You guys recommend that for
sure.

722
00:36:55,760 --> 00:36:57,920
You should write this down.
Write this down.

723
00:36:57,920 --> 00:36:59,720
Dave Nudo, the Lord of the
Devil.

724
00:36:59,720 --> 00:37:01,840
Trust.
NUDO nudo.

725
00:37:01,880 --> 00:37:04,040
Yeah, you will be like, why
isn't this guy out in

726
00:37:04,040 --> 00:37:05,920
mainstream?
You it'll be you'll it'll blow

727
00:37:05,920 --> 00:37:07,680
your mind.
I mean that listen to this song

728
00:37:07,680 --> 00:37:09,200
is.
I've listened to it, I'm not

729
00:37:09,200 --> 00:37:11,240
shitting you, at least 200
times.

730
00:37:11,240 --> 00:37:13,280
And he was on the pod like a
month ago.

731
00:37:14,040 --> 00:37:16,680
Is that Lord, Lord.
Just any the Lord, Lord of the

732
00:37:16,680 --> 00:37:18,840
devil, The Lord of the devil,
dude, it's I'm telling you.

733
00:37:18,840 --> 00:37:22,440
Oh.
I'll check it out.

734
00:37:23,040 --> 00:37:25,520
And we're going to find one of
those songs that does that for

735
00:37:25,520 --> 00:37:28,320
us, of you guys, and we'll never
shut up about that one.

736
00:37:28,320 --> 00:37:30,640
So that's just how these things
work, yeah.

737
00:37:30,800 --> 00:37:33,320
Yeah, in fact.
In fact, I picked that song when

738
00:37:33,320 --> 00:37:36,640
I pulled him up on the show
because I like the title.

739
00:37:37,440 --> 00:37:37,920
Oh yeah.
Right.

740
00:37:37,920 --> 00:37:40,280
So, so kind of like kind of like
some of your stuff, like right

741
00:37:40,280 --> 00:37:41,920
here.
Like I love the moonshine.

742
00:37:42,000 --> 00:37:45,600
And it was a cool visual
backdrop, him with his back to

743
00:37:45,680 --> 00:37:49,160
the scene with a cowboy hat and
a long trench coat on.

744
00:37:49,480 --> 00:37:50,120
Very.
Cool.

745
00:37:51,160 --> 00:37:54,920
Yeah, but but for Moonshine and
Ghost, I like right away

746
00:37:54,920 --> 00:37:57,160
Moonshine, especially now that
we listen to the song a little

747
00:37:57,160 --> 00:38:01,200
bit on on the channel, YouTube
channel, you automatically think

748
00:38:01,200 --> 00:38:03,560
it's about Moonshine, but it's
not about Moonshine, which is

749
00:38:03,600 --> 00:38:06,440
which is clever on your part.
It's a very good play of words.

750
00:38:07,040 --> 00:38:09,560
Twist in there, love.
That, Yeah, total twist in

751
00:38:09,560 --> 00:38:11,280
there.
So moonshine's on here.

752
00:38:11,280 --> 00:38:12,920
Gibson and Co Moonshine's on
here.

753
00:38:14,280 --> 00:38:16,400
From an album standpoint, that's
the single.

754
00:38:18,280 --> 00:38:19,880
Yeah.
It's just, it's just moon sign.

755
00:38:20,240 --> 00:38:23,080
Ghost this rain.
Ghost is there.

756
00:38:23,360 --> 00:38:25,440
Ghost is there.
This is who I am.

757
00:38:25,440 --> 00:38:27,520
Is that you guys?
Crazy life.

758
00:38:27,600 --> 00:38:30,160
The rain, this rain, I'm sorry,
this rain.

759
00:38:30,720 --> 00:38:33,560
So now just a now just this will
this will kind of I don't know

760
00:38:33,560 --> 00:38:36,200
if you like this or not, but
you're you're wrapped up.

761
00:38:36,200 --> 00:38:40,480
You're looped in with Waylon and
Willie when I pull it up.

762
00:38:40,480 --> 00:38:42,200
How can that I typed in Gibson
Co.

763
00:38:42,200 --> 00:38:46,600
I don't know.
It's not bad Waylands man, but

764
00:38:46,600 --> 00:38:50,120
right away Gibson Co you have
you have your moonshine signals.

765
00:38:50,120 --> 00:38:52,640
The third one down hires the
second one, which I don't think

766
00:38:52,640 --> 00:38:54,520
is you guys, that's Chris
Stapleton.

767
00:38:56,240 --> 00:38:59,280
Tom Petty's greatest hits comes
up and higher than Stapleton

768
00:38:59,280 --> 00:39:03,040
than you guys, which is weird.
So but you had the the moonshine

769
00:39:03,040 --> 00:39:05,600
the did.
You mean Chris Stapleton when

770
00:39:05,600 --> 00:39:07,400
you typed in?
Yeah, yeah.

771
00:39:07,720 --> 00:39:08,760
No, I didn't.
I didn't.

772
00:39:08,760 --> 00:39:10,360
I just typed in Gibson, a
company man.

773
00:39:10,960 --> 00:39:13,560
Maybe you meant?
He's just telling you who's all

774
00:39:13,560 --> 00:39:14,920
around you when you.
Come up.

775
00:39:14,920 --> 00:39:16,680
Who's around you guys?
Yeah.

776
00:39:16,680 --> 00:39:19,520
So it's kind of, it's kind of
cool that you come up with you.

777
00:39:19,520 --> 00:39:22,920
Guys, same with algorithm with
all those other artists, right?

778
00:39:23,400 --> 00:39:24,640
Right.
So if somebody's going to type

779
00:39:24,640 --> 00:39:27,440
Chris Stapleton, for whatever
reason, you guys popped up, so

780
00:39:27,440 --> 00:39:30,520
does Waylon and Willie.
Four of your songs are here, but

781
00:39:30,520 --> 00:39:32,200
then you have these other things
that pop up.

782
00:39:32,200 --> 00:39:34,520
Brooks and Dunn's on there.
I speak his language.

783
00:39:34,520 --> 00:39:36,480
That was his way of answering
your question.

784
00:39:36,520 --> 00:39:38,720
Yeah, yeah, it's a trip.
I don't know if you see it, but

785
00:39:39,520 --> 00:39:42,000
it legit.
It legit gives you gives you

786
00:39:42,880 --> 00:39:45,080
ties you in with those with
those artists, which is pretty

787
00:39:45,080 --> 00:39:48,400
bad ass, Yeah.
Rubbing elbows, that is.

788
00:39:49,000 --> 00:39:51,080
Yeah, yeah, yeah.
Company.

789
00:39:51,240 --> 00:39:53,080
Nice without even realizing it,
man.

790
00:39:55,120 --> 00:39:56,640
Yeah.
Well, thank you.

791
00:39:56,640 --> 00:39:59,480
Yeah.
Well, it's well deserved, man.

792
00:39:59,480 --> 00:40:04,320
You guys put forth, the people
don't realize how much work goes

793
00:40:04,320 --> 00:40:07,400
into all of what we have just
talked about for the last 40

794
00:40:07,400 --> 00:40:09,440
minutes.
You know, this is years of all

795
00:40:09,440 --> 00:40:11,240
of our lives talking about
music.

796
00:40:11,720 --> 00:40:13,000
Yeah, Yeah.
So.

797
00:40:13,920 --> 00:40:15,480
Kudos, man.
It's all well deserved.

798
00:40:15,480 --> 00:40:17,520
You guys put together a great
product.

799
00:40:17,600 --> 00:40:19,600
I'll buy it.
Chris is gonna buy it.

800
00:40:19,760 --> 00:40:22,760
I mean, we, we wouldn't do that
if we didn't like it.

801
00:40:22,840 --> 00:40:24,760
You know, I'm not gonna add
something to my playlist.

802
00:40:24,760 --> 00:40:27,120
It's gonna cause me grief.
I love music too much.

803
00:40:27,800 --> 00:40:30,560
Yeah.
We greatly appreciate that.

804
00:40:30,600 --> 00:40:32,960
Thank you.
Well, you got great guitar tone.

805
00:40:32,960 --> 00:40:36,560
Like I asked about his drums
because I really like the sound

806
00:40:36,560 --> 00:40:39,120
of his drums on the recording.
So I'm like, this guy's got to

807
00:40:39,120 --> 00:40:41,760
have something other than just.
I went to Guitar Center and I

808
00:40:41,760 --> 00:40:43,120
bought a fucking drum set.
You.

809
00:40:43,120 --> 00:40:47,520
Know right?
That's a that's a custom built

810
00:40:47,520 --> 00:40:51,160
weird nonsense kit, yeah.
I'm getting ready to have my own

811
00:40:51,200 --> 00:40:54,840
fuck finally custom built guitar
for the first time so I'm super

812
00:40:54,840 --> 00:40:58,200
excited about that.
But that swamp ash guitar I have

813
00:40:58,200 --> 00:41:02,320
was a Charvel STX Custom.
There's something about that

814
00:41:02,320 --> 00:41:06,560
wood that you found in the drums
that I found in my guitar that

815
00:41:07,240 --> 00:41:10,400
you just don't find in other
woods, man, It's just so unique.

816
00:41:10,400 --> 00:41:16,840
It's a very mid range, but it's
got balls and the high end is

817
00:41:17,720 --> 00:41:20,720
it's shimmering enough without
being piercing.

818
00:41:20,760 --> 00:41:24,680
You know, there's so many things
that are important that we're

819
00:41:24,680 --> 00:41:28,800
nerding out on talking about
instruments, but these things

820
00:41:28,800 --> 00:41:31,960
are what give people the final
product that they're hearing,

821
00:41:31,960 --> 00:41:33,760
right?
That's important to us, that.

822
00:41:34,520 --> 00:41:35,600
And a lot of.
Deliver I.

823
00:41:36,720 --> 00:41:39,920
Was going to say like jumping on
the back of that too.

824
00:41:39,920 --> 00:41:42,600
A lot of it too.
As a musician, if that's what is

825
00:41:42,600 --> 00:41:45,480
inspiring you, you're going to
perform better using that.

826
00:41:46,680 --> 00:41:49,120
You're going to like there's
going to be something there.

827
00:41:49,120 --> 00:41:51,680
That's that's why I like to do
everything analog if I can.

828
00:41:51,680 --> 00:41:55,040
I don't use amp Sims.
I use a real amp with real

829
00:41:55,040 --> 00:41:58,760
guitar pedals.
We will reamp guitars and we'll

830
00:41:58,760 --> 00:42:03,360
we'll make sure that it's coming
through a actual speaker and

831
00:42:03,360 --> 00:42:06,480
microphone because there's
something that you get as a

832
00:42:06,480 --> 00:42:10,880
performer when you're singing
into a good microphone, into a

833
00:42:10,880 --> 00:42:13,320
good.
Is it, is it the color on its

834
00:42:13,320 --> 00:42:14,760
own?
Can you do something with

835
00:42:14,760 --> 00:42:17,640
something different?
You know, I've seen lots of

836
00:42:17,640 --> 00:42:22,320
people in the mix, you know, app
SIM compares to a real amp and

837
00:42:22,320 --> 00:42:25,440
it's like once it's buried and
there's 1000 layers, yeah, you

838
00:42:25,440 --> 00:42:28,840
probably can't tell when the
song is 3 minutes long and it's

839
00:42:28,920 --> 00:42:31,640
over and done.
But yeah, but there's something

840
00:42:31,640 --> 00:42:36,320
that you get as a as a performer
out of it and I all of those

841
00:42:36,320 --> 00:42:42,560
little things make for what you
astutely hear as an organic

842
00:42:42,560 --> 00:42:44,240
sound.
It sounds like a real human

843
00:42:44,240 --> 00:42:45,760
played it with a real
instrument.

844
00:42:45,800 --> 00:42:49,320
And it's yeah, 1000 little
things that go into making the

845
00:42:49,320 --> 00:42:52,640
whole album sound like that.
And I think that's super

846
00:42:52,640 --> 00:42:55,080
important.
You're you're spot on 100%.

847
00:42:56,000 --> 00:42:59,360
Well, I was just in so many
situations where I'd actually be

848
00:42:59,360 --> 00:43:03,560
arguing, you know, I got when
Chris left Nemesis, it

849
00:43:03,560 --> 00:43:06,920
eventually dissolved and I
formed other bands and he formed

850
00:43:06,920 --> 00:43:09,480
other bands.
But I never had that situation

851
00:43:09,480 --> 00:43:12,920
again where it was all for one
and one for all, right?

852
00:43:12,920 --> 00:43:15,800
There was no egos there.
It was all about what's best for

853
00:43:15,800 --> 00:43:17,440
the band, what's best for the
song.

854
00:43:17,440 --> 00:43:19,880
And I'd be sitting in these
situations where they'd be like,

855
00:43:20,200 --> 00:43:22,960
what do you mean you can't play
without your sound, man?

856
00:43:23,120 --> 00:43:26,560
You know, it's like we're
recording here.

857
00:43:26,560 --> 00:43:29,280
There's a difference between I
could get up on stage and fake

858
00:43:29,280 --> 00:43:33,520
this right now with this piece
of shit setup you have here, but

859
00:43:33,520 --> 00:43:35,880
I can't do it in a recording,
you know?

860
00:43:35,880 --> 00:43:38,200
Yeah.
Yeah, yeah, I got to feel the

861
00:43:38,200 --> 00:43:41,680
air coming out of the speakers,
even if it's in my headphones,

862
00:43:41,680 --> 00:43:44,080
right?
Yeah, yeah, 100% yeah.

863
00:43:44,080 --> 00:43:47,680
Why not make it so that the
artist plays to their absolute

864
00:43:47,680 --> 00:43:50,480
best and is the most inspired to
give the best performance

865
00:43:50,480 --> 00:43:52,480
possible?
Like, why would you stand in the

866
00:43:52,480 --> 00:43:53,240
way of that?
That's.

867
00:43:53,240 --> 00:43:55,360
Great.
When I got in those arguments,

868
00:43:55,360 --> 00:43:57,680
I'd be like.
Producer, that's my whole thing.

869
00:43:58,000 --> 00:44:01,680
Bring in whatever it is you need
to feel like.

870
00:44:02,200 --> 00:44:05,880
My job then when I engineer it
also because I just double,

871
00:44:06,120 --> 00:44:09,160
double duty it, right?
But my job then is to make sure

872
00:44:09,160 --> 00:44:12,240
I can capture that performance
the best.

873
00:44:12,240 --> 00:44:14,320
That's my job.
Your job is to be an artist and

874
00:44:14,320 --> 00:44:16,400
come in.
I need a good performance ID, so

875
00:44:16,400 --> 00:44:21,160
whatever it takes, yeah.
Usually I would end those

876
00:44:21,160 --> 00:44:24,160
arguments by saying and if you
can do it, go play it.

877
00:44:24,560 --> 00:44:26,800
Yeah, I can't.
I can't do it, and I'm pretty

878
00:44:26,800 --> 00:44:29,160
sure you can't either.
So can we come to some kind of

879
00:44:29,160 --> 00:44:34,320
compromise?
Just a point so.

880
00:44:34,320 --> 00:44:36,880
What's on What's on the horizon
for Gibson and company?

881
00:44:37,760 --> 00:44:42,120
Well, we've been pushing the
pushing the radio a lot like

882
00:44:42,120 --> 00:44:44,960
trying to get radio time for the
for the singles.

883
00:44:46,520 --> 00:44:49,480
But in the new year, we're going
to start focus on what on my

884
00:44:49,480 --> 00:44:51,400
live show.
We're going to hit the road and

885
00:44:51,400 --> 00:44:54,400
start focusing on on live live
again.

886
00:44:54,400 --> 00:44:56,640
So yeah.
Do you have any dates set up

887
00:44:56,640 --> 00:44:58,360
yet?
Not yet, nothing yet.

888
00:44:58,360 --> 00:45:03,200
We're putting together, putting
together a few, a few things,

889
00:45:04,320 --> 00:45:06,520
some different packages as well
because we also do live

890
00:45:06,520 --> 00:45:09,120
production.
So you saw that in that PK

891
00:45:09,120 --> 00:45:11,320
there.
That was kind of the beginnings

892
00:45:11,320 --> 00:45:17,200
of the, the setup and it's just
grown from that point on to,

893
00:45:17,640 --> 00:45:21,040
yeah, lights and light and rays
and all that kind of stuff.

894
00:45:21,040 --> 00:45:24,720
So we're putting together some
packages for like, like rodeos

895
00:45:24,720 --> 00:45:27,120
and stuff, you know, like cities
have their little, their

896
00:45:27,120 --> 00:45:29,200
exhibitions, their rodeos and
things like that.

897
00:45:29,200 --> 00:45:32,800
So, so, yeah, that's, that's one
of the things on the horizon

898
00:45:32,960 --> 00:45:35,160
that we're we're working on.
That's what the winter's for

899
00:45:35,160 --> 00:45:38,280
here.
Nice and go outside.

900
00:45:39,280 --> 00:45:41,720
Yeah, you can't.
You can't go outside very often,

901
00:45:41,720 --> 00:45:44,280
very long, I guess, right?
Because you get in Saskatchewan,

902
00:45:44,280 --> 00:45:47,280
you guys are just like so cold.
Men have nipples too, right?

903
00:45:47,600 --> 00:45:50,880
Oh yeah, big time.
Yeah.

904
00:45:51,800 --> 00:45:53,680
Metal plated inside of our
jacket.

905
00:45:54,440 --> 00:45:55,640
She.
Gets cold.

906
00:45:56,960 --> 00:46:00,840
Yeah, yeah, that's fantastic.
Yeah, so, well, cool.

907
00:46:00,920 --> 00:46:04,280
That's, that's kind of the,
that's sort of the idea there.

908
00:46:04,800 --> 00:46:08,320
So next year, yeah, we'll we'll
we'll be doing a few, we'll be

909
00:46:08,320 --> 00:46:11,680
doing a few small tours,
probably Western Canada and and

910
00:46:11,680 --> 00:46:14,560
then we'll see kind of where
things where things go from

911
00:46:14,560 --> 00:46:16,240
there.
But we still got the rest of the

912
00:46:16,240 --> 00:46:19,520
album to release as well.
It'll be some more artistic

913
00:46:19,520 --> 00:46:21,480
projects that kind of come along
with that.

914
00:46:21,920 --> 00:46:26,240
I'm not sure Courtney has plans.
Courtney has plans, so we'll

915
00:46:26,240 --> 00:46:27,760
just do whatever Courtney wants,
OK?

916
00:46:30,080 --> 00:46:35,160
Right on when, when do you plan
on kind of getting an idea of

917
00:46:35,160 --> 00:46:39,160
the of the tours in 2026?
The reason I'm asking that is we

918
00:46:39,160 --> 00:46:41,920
can have you guys come back on
prior to the tour kicking off

919
00:46:41,920 --> 00:46:43,960
and kind of like showcase, hey,
this is where they're going to

920
00:46:43,960 --> 00:46:45,200
be.
This is what you're doing, where

921
00:46:45,200 --> 00:46:49,040
you're at, that type of thing to
kind of help, you know, get the,

922
00:46:49,080 --> 00:46:51,120
get the buzz out, I guess is the
word.

923
00:46:51,360 --> 00:46:55,240
Yeah, my, my, my, my best guess
is it'll probably be like late

924
00:46:55,240 --> 00:46:57,560
February, March, somewhere in
that range.

925
00:46:57,560 --> 00:47:00,720
Wow, Our year kind of figured
out by then, Yeah.

926
00:47:00,800 --> 00:47:04,000
OK, when you get a better idea,
get a hold of Chris for sure.

927
00:47:04,240 --> 00:47:06,000
Definitely.
Yeah, you will, absolutely.

928
00:47:06,080 --> 00:47:08,960
I'll make a note to poke at you
in in middle of January, just

929
00:47:08,960 --> 00:47:11,440
see where you're at because
it'll, you know, we like to have

930
00:47:11,520 --> 00:47:16,480
folks come back on, you know,
just because they love talking

931
00:47:16,480 --> 00:47:17,680
to us.
We love talking to them and

932
00:47:17,680 --> 00:47:19,400
it's, it's all cyclical.
So.

933
00:47:19,560 --> 00:47:21,080
Yeah, I just thought about that
the other day.

934
00:47:21,080 --> 00:47:24,280
Another year of doing that and
it'll just be all repeat guests.

935
00:47:24,280 --> 00:47:27,760
So it'll be tough to get back on
here or it'll be tough to be new

936
00:47:27,760 --> 00:47:30,480
to be on here.
But well, like you, like you

937
00:47:30,480 --> 00:47:33,680
said, we probably booked these
guys in June and then now I'm

938
00:47:33,680 --> 00:47:36,240
booking in December.
So we, I kind of, I kind of

939
00:47:36,240 --> 00:47:38,160
reeled it back a little bit
because it gets a little chaotic

940
00:47:38,160 --> 00:47:40,920
when you're trying to.
Put I know, but I just like the

941
00:47:40,920 --> 00:47:43,120
fact that these guys are on
their way up.

942
00:47:43,120 --> 00:47:45,280
We're, we feel like we're on our
way way up.

943
00:47:45,280 --> 00:47:48,560
We're we're all headed hopefully
in the same direction together

944
00:47:48,560 --> 00:47:52,080
and it'll just be cool to have
that relationship going forward.

945
00:47:52,200 --> 00:47:53,920
I I like that idea of it too for
sure.

946
00:47:54,280 --> 00:47:58,000
Yeah, for sure, for sure.
So where where can people find

947
00:47:58,000 --> 00:47:58,960
you?
Where can they get a hold of

948
00:47:58,960 --> 00:48:00,480
you?
Obviously everything Gibson and

949
00:48:00,480 --> 00:48:04,000
Cohen it's it's Gibson, Gibson
and then the and symbol with Co

950
00:48:04,000 --> 00:48:06,760
Gibson and Co music.com,
correct.

951
00:48:06,920 --> 00:48:09,160
That's correct, yeah.
Yeah, and then you're on the

952
00:48:09,160 --> 00:48:12,320
Spotify, iTunes, Facebook.
I've shared your Facebook page.

953
00:48:12,320 --> 00:48:17,080
We got the the the website
isgibsonandmusic.com.

954
00:48:17,080 --> 00:48:20,680
So spell it out, boys and girls,
Gibson and music.com.

955
00:48:20,680 --> 00:48:23,800
I'll show their their their
website here again.

956
00:48:23,800 --> 00:48:28,200
There it is right there.
We were talking to Steve, which

957
00:48:28,200 --> 00:48:31,360
is the lead singer and
songwriter for the band and Adam

958
00:48:33,560 --> 00:48:35,720
the drummer.
Adam the drummer, right,

959
00:48:36,240 --> 00:48:41,960
Drummer, producer, drummer,
engineer, engineer, bus driver,

960
00:48:42,560 --> 00:48:46,200
studio builder.
So, so so let's go, let's go

961
00:48:46,200 --> 00:48:47,960
that real quick before we wrap
this all up.

962
00:48:47,960 --> 00:48:50,560
So Adam's A drummer, right?
He's 30 years of music as a

963
00:48:50,560 --> 00:48:54,040
drummer.
You got you got Joel 19 years is

964
00:48:54,040 --> 00:48:56,360
the guitar playing.
What is what does Joel do

965
00:48:56,360 --> 00:48:58,880
outside of out of of?
Is he have any other role in the

966
00:48:58,880 --> 00:49:01,120
band besides what you and you
and Adam are doing, Steve?

967
00:49:01,840 --> 00:49:03,560
He's big into the Morgan side of
things.

968
00:49:04,200 --> 00:49:05,640
OK in the back.
Cool.

969
00:49:06,000 --> 00:49:08,080
Yeah, absolutely.
Well, Joel, Joel runs a diesel

970
00:49:08,080 --> 00:49:09,160
shop.
Actually, he's a diesel

971
00:49:09,160 --> 00:49:10,480
mechanic.
Big dies.

972
00:49:10,480 --> 00:49:12,920
OK.
In in in Yorkton, which is a

973
00:49:12,920 --> 00:49:14,640
city right, right close to us
here.

974
00:49:15,120 --> 00:49:17,160
That's a good guy to have when
the bus breaks down.

975
00:49:17,560 --> 00:49:20,000
Exactly.
We've been there.

976
00:49:20,160 --> 00:49:21,560
He has fixed the bus.
Yep.

977
00:49:22,120 --> 00:49:23,120
On the South.
Right on.

978
00:49:23,400 --> 00:49:24,400
Yeah, so.
Right on.

979
00:49:24,680 --> 00:49:28,080
Love it.
Yeah, he brings, he brings

980
00:49:28,280 --> 00:49:30,840
boiler suits with him or
coveralls.

981
00:49:30,880 --> 00:49:32,520
Yeah, and he can just.
Jump right on.

982
00:49:32,960 --> 00:49:35,320
He earns his rock'n'roll wings
there for sure.

983
00:49:35,480 --> 00:49:39,120
Oh, we all, we all do.
Honestly, like everybody, like

984
00:49:39,120 --> 00:49:41,440
Steve said, huge role to play,
Yeah.

985
00:49:42,360 --> 00:49:44,440
Absolutely, yeah.
And what what's what's

986
00:49:44,440 --> 00:49:46,840
Courtney's other roles in the
band?

987
00:49:47,200 --> 00:49:50,080
Banjo play a mandolin and then
she does all the social media,

988
00:49:50,080 --> 00:49:51,600
the website, all of that kind of
stuff.

989
00:49:51,920 --> 00:49:53,120
OK, OK, cool.
Yeah.

990
00:49:53,680 --> 00:49:55,640
Do you get her involved in the
background vocals?

991
00:49:56,200 --> 00:49:57,320
Yeah, yeah, absolutely.
Yeah, yeah.

992
00:49:57,320 --> 00:49:59,280
Background.
Was she the one I was talking?

993
00:49:59,280 --> 00:50:01,080
That I don't have my glasses.
On yeah, it's OK.

994
00:50:01,080 --> 00:50:02,480
So was she the one I was talking
to?

995
00:50:02,480 --> 00:50:05,240
That's right, via e-mail.
Yep, that's right.

996
00:50:05,400 --> 00:50:06,960
OK, cool, cool.
Because she is.

997
00:50:06,960 --> 00:50:09,240
She said said, you know, just
e-mail this guy Adam.

998
00:50:09,240 --> 00:50:11,840
I'm like, OK, cool.
Yeah, so good job, Courtney for

999
00:50:11,840 --> 00:50:12,760
setting it up.
Yeah.

1000
00:50:12,760 --> 00:50:13,920
Thanks, Courtney.
That's awesome.

1001
00:50:14,360 --> 00:50:19,440
Appreciate it yeah yeah, yeah.
Roger Plate anything else you

1002
00:50:19,440 --> 00:50:21,560
anything else you guys want to
talk about or share why we still

1003
00:50:21,560 --> 00:50:24,160
got some time I.
Think we're good?

1004
00:50:24,440 --> 00:50:25,400
Yeah.
OK.

1005
00:50:26,120 --> 00:50:26,800
That's fun, right?
On lots.

1006
00:50:27,200 --> 00:50:28,480
Of fun like.
Yeah.

1007
00:50:29,240 --> 00:50:31,720
Yeah, we're we'll look forward
to doing it again when you guys

1008
00:50:31,720 --> 00:50:34,600
are going to release the album
and go on your whatever tour you

1009
00:50:34,600 --> 00:50:36,840
got scheduled 1st and.
Yeah.

1010
00:50:37,520 --> 00:50:39,440
Looking forward to talking to
you guys again man, this has

1011
00:50:39,440 --> 00:50:41,680
been awesome.
Your band is outstanding, your

1012
00:50:41,680 --> 00:50:43,520
look is outstanding.
Love it man.

1013
00:50:43,560 --> 00:50:45,360
Right.
Yeah, so keep kicking.

1014
00:50:45,360 --> 00:50:47,640
We always, yeah, we wrap up
every show like this.

1015
00:50:47,640 --> 00:50:49,480
If, if #1 thank you for being on
the show.

1016
00:50:49,480 --> 00:50:50,960
We appreciate it.
We're going to do our best to

1017
00:50:50,960 --> 00:50:52,680
kind of help, help pimp you out
a little bit more.

1018
00:50:52,880 --> 00:50:54,400
Absolutely.
Not that you, not that you need

1019
00:50:54,400 --> 00:50:55,480
it.
Your music rocks and you're

1020
00:50:55,480 --> 00:50:57,000
going to, you're going to do
some great things.

1021
00:50:57,000 --> 00:50:59,880
So if you ever do come to
Arizona or Illinois, look us

1022
00:50:59,880 --> 00:51:01,680
both up because we'll come to
the show.

1023
00:51:01,680 --> 00:51:04,920
I'm in Arizona, Mike's in
Illinois, so be mindful of that.

1024
00:51:05,160 --> 00:51:07,920
Yeah, when you're playing the
big arena shows now, remember

1025
00:51:07,920 --> 00:51:14,080
what it gets Calm.
Yeah, yeah, yeah, yeah.

1026
00:51:14,080 --> 00:51:15,680
We'll, I'll come out and
introduce the band.

1027
00:51:15,680 --> 00:51:17,840
I'll be the guy that introduces
you before you go on stage.

1028
00:51:17,880 --> 00:51:19,960
Lemoyne wants me to do that on
New Year's Eve.

1029
00:51:20,240 --> 00:51:21,080
I know he does.
Yeah.

1030
00:51:21,080 --> 00:51:23,680
One of our one of our artists
have been here once Mike MC the

1031
00:51:23,680 --> 00:51:24,960
show on New Year's Eve in
Chicago.

1032
00:51:24,960 --> 00:51:26,320
So I'm.
Going to try and make that

1033
00:51:26,320 --> 00:51:28,560
happen.
Yeah, yeah, that'd be pretty

1034
00:51:28,560 --> 00:51:29,920
cool.
Yeah.

1035
00:51:29,920 --> 00:51:31,200
So we wrap up every show like
this.

1036
00:51:31,200 --> 00:51:33,640
If you're feeling suicidal,
depressed, you know, or just

1037
00:51:33,640 --> 00:51:34,320
drop.
Don't do it.

1038
00:51:34,320 --> 00:51:36,200
Just go.
Go, go out for a run.

1039
00:51:36,200 --> 00:51:37,520
Go scream in a pillow.
Go journal.

1040
00:51:37,520 --> 00:51:38,720
Go do something.
Call somebody.

1041
00:51:38,720 --> 00:51:40,720
If you can't find somebody to
talk to, you text 988.

1042
00:51:40,720 --> 00:51:43,280
Somebody's standing by and
willing to have a conversation.

1043
00:51:43,280 --> 00:51:45,640
You right now, somebody does
love you.

1044
00:51:45,640 --> 00:51:47,160
Somebody will miss you.
And you don't want to leave a

1045
00:51:47,160 --> 00:51:49,080
hole in somebody else's heart
because you just had to do

1046
00:51:49,080 --> 00:51:50,920
something stupid.
So don't do it.

1047
00:51:50,920 --> 00:51:53,680
Be here tomorrow because
everybody wants you to be here

1048
00:51:53,680 --> 00:51:56,880
tomorrow as do we for Chris and
Mike, the Chris and Mike show

1049
00:51:56,880 --> 00:51:59,200
and the Steve and Adam from
Gibson and company.

1050
00:51:59,200 --> 00:52:01,400
Thank you very much for for
coming on, taking a listen to

1051
00:52:01,400 --> 00:52:04,320
the show, all the contents.
Yeah, you'll get all the content

1052
00:52:04,320 --> 00:52:07,160
and stuff once we get everything
edited down the air, the show

1053
00:52:07,160 --> 00:52:09,320
air in a couple weeks.
We were on live on Twitch and

1054
00:52:09,320 --> 00:52:10,840
YouTube.
So hopefully we got some

1055
00:52:10,840 --> 00:52:13,920
traction for you guys there
until we talk to you again in

1056
00:52:13,920 --> 00:52:15,600
the new year.
You guys have a a great

1057
00:52:15,600 --> 00:52:17,880
remaining 2025.
Wish you the best of luck to

1058
00:52:17,880 --> 00:52:19,160
him.
Thanks again for coming.

1059
00:52:19,160 --> 00:52:20,760
On man, absolutely.
Thanks guys.

1060
00:52:20,960 --> 00:52:22,360
Thanks for having us.
All right.

1061
00:52:22,560 --> 00:52:24,280
Love you brother.
Love you too man.

1062
00:52:24,720 --> 00:52:27,840
Peace, guys.
Don't leave yet.

1063
00:52:27,840 --> 00:53:01,760
Don't leave.
Look at.

1064
00:53:01,840 --> 00:53:04,920
Till you see it, fight the
battle.

1065
00:53:05,120 --> 00:53:08,680
That's you boss Wheel.
Fight the battle.

1066
00:53:08,720 --> 00:53:12,840
But you boss Wheel.
Who is his baby.

1067
00:53:12,840 --> 00:53:27,760
Till you see it.
Oh yeah, listen to your.

1068
00:54:32,000 --> 00:54:34,560
Now you're turning come down
here.

1069
00:54:34,560 --> 00:54:38,680
You haven't found solids in your
sand.

1070
00:54:38,800 --> 00:54:43,280
You just bump fighting.
Wait for the dead or.

1071
00:54:44,640 --> 00:54:51,520
When it's going to rave you?
Ain't no creature we're playing

1072
00:54:51,520 --> 00:54:54,080
man.
You just you quit on the

1073
00:54:54,280 --> 00:55:00,160
almighty day.
You gotta dream who in your life

1074
00:55:01,680 --> 00:55:08,560
the people go in every day.
Take your turn behind your eyes.

1075
00:55:10,080 --> 00:55:20,120
Feel the soul revolution now.
Yeah, yeah, yeah, yeah, yeah,

1076
00:55:20,640 --> 00:55:23,640
yeah, yeah.
Take a moment.

1077
00:55:24,480 --> 00:55:28,040
Look at you.
See them fight the battle until

1078
00:55:28,120 --> 00:55:56,720
you most clear.
You gotta, you gotta.

1079
00:55:57,400 --> 00:55:59,920
You gotta, you gotta, you gotta.